Yarn

Nothing rhymes with orange

Nothing rhymes with orange

I’ve been making red-orange yarn this week. According to my dye book, it has been over a year since I did any dyeing and I’ve enjoyed being back in the dye studio (my garage) a great deal. I’m dyeing some yarn for a friend. She might be the only person on the planet who I’d do this for, though no one else has tested it yet. I’m trying to match a naturally dyed yarn that she needs a lot of. Because it is so hard to replicate naturally dyed colors (and she is a master dyer of natural dyes), she asked me to make her this color using synthetic dyes. I can replicate colors without much difficulty and I have a great big pot that I can dye the whole lot at once. I think it will be about four pounds of fiber.

The color is red-orange. I’m pretty happy that I did a lot of sampling of oranges several years ago when I was working on a commission because I learned a lot about orange. I struggled to make it back then, but this time around I felt inundated with options.

I made yarn!

I made yarn!

The new module that went live in the Design Solutions class this week is all about how materials influence design in tapestry weaving. And yarn is definitely the primary material in tapestry. I have become fascinated by the variety of ways to make yarn and learning to spin some years ago now has definitely led me down many yarn-y rabbit holes. And spinning has taught me so much about how yarn is made and how different materials in yarn can change the way it behaves, reflects light, and influences the structure of the textile.

I’ve been working on Jillian Moreno’s current Sample Along (#samplealong2). We are spinning four yarns and so far I’ve only finished this yarn. And I love it. To be honest, every single time I take a new skein of handspun out of its bath in the sink, I think with a bit of a giggle, “I made yarn!” It never gets old.

A skein of hibiscus-colored yarn and a bit of anxiety-managing weaving

A skein of hibiscus-colored yarn and a bit of anxiety-managing weaving

March 2nd. Another round of book edits were due and I had sent them the night before. The new material for the Design Solutions online course was also up and everything seemed to be working in technology world.

March 2nd. Before the world changed so quickly and drastically.

March 2nd. I went to the yarn store because yarn makes me feel better. I ostensibly was looking for yarn for my nieces to learn to crochet with. But we all know the truth. I had met two huge deadlines which happened to fall on the same day and I was tired. And a little dreary. And petting the yarn always cheers me up. I try hard not to stop at yarn stores and when I’m tired or down is the most dangerous time (because who knows how much yarn I’ll add to my already large knitting yarn stash). But March 2nd, I visited. The Loopy Ewe.*

Harrisville Designs: a yarn company with heart

Harrisville Designs: a yarn company with heart

One of the days of the photoshoot for my upcoming book, the team went to Harrisville Designs in Harrisville, NH. We wanted to get some shots outside the studio that also included some of the yarn and tools that I use in my work and teaching. Since Harrisville is only about two hours from North Adams, MA, it was a feasible day trip. Nick Colony and Sasha DuVerlie were fantastic hosts and we were able to take photographs in many areas of the Harrisville campus including the store, classroom, workshop, and mill. I am sure some of the marvelous photos Mars, the Storey photographer, took will end up in the book.

All the yarn-y joy... and getting just the right color

All the yarn-y joy... and getting just the right color

On my studio Fridays I have been working toward getting a big tapestry on the loom. Because dyeing takes so long, I’m still working on that part of the puzzle though my fingers are itching to be weaving. I am finding that having some space between the days I’m making color and dye decisions has been helpful. The yarn I pull out of the pot dripping wet and prop in the corner of the living room to dry* might not get assessed until the next Friday. Somehow that lets my brain relax around those decisions and I’ve found myself much more willing to accept what came out of the pot even if the small swatch I was dyeing from feels different in the larger amounts of yarn.** So colors that I didn’t like when I hung them the last Friday actually seem great by the next Friday. I suppose that could be mostly the realization that if I don’t go with those colors or keep fussing with the formulas, I may never actually start weaving… but we’ll go with the first idea that space allows acceptance.

Tapestry yarns! Which are good and why?

Tapestry yarns! Which are good and why?

If you’re a tapestry weaver, finding just the right yarn might seem like a difficult proposition. Through my students and my own testing of various yarns, I’ve found a few sweet spots in tapestry yarns over the years and I hope these ideas are helpful for you, dear tapestry friend. I’ll briefly tell you what makes a good tapestry yarn and then I’ll tell you which ones are my current favorites and where to get them.

If you’re just starting out, it is helpful to pick one yarn and sett to learn on. I always recommend starting with just one yarn. Learning tapestry is tricky enough without having to learn to manage the way different yarns behave. A teacher can help you with this information but this post should help get you started. Notice as you use that yarn at the sett recommended, what you think about it. How does the yarn serve your design ideas? Does it come in colors you like? Is it easy to work with? I have a few possible combinations at the end of this post, but there are many other possibilities. I also cover this topic in my online course, Warp and Weft: Learning the Structure of Tapestry.

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Color palettes: using yarn wraps for color sampling

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Color palettes: using yarn wraps for color sampling

I’ve become a fan of yarn wraps. The kind of yarn wrap where you wind some yarn around a stiff card to look at the color combinations, not the kind that might keep you warm during a polar vortex in Chicago.

I’ve been playing with color a lot lately partly because I just taught a retreat about color in tapestry and partly because I’m in the middle of designing a new large-format tapestry. I think there are two basic ways people approach color choice and design in tapestry weaving. They either design the piece including color choices and then dye or purchase the yarns to match those color needs or they spread out all the colors they have and use those choices as they design.

I am a member of the “design first, find yarn later” club.