Change the Shed

Crowdsourcing a tapestry design while celebrating four years of Change the Shed

Crowdsourcing a tapestry design while celebrating four years of Change the Shed

I've always felt fairly private about my tapestry designs as I'm working on them. Since my apprenticeship ended 14 years ago, I rarely ask anyone for feedback on my designs unless it is a commission. Designs are fragile little beings that can be crushed by other people so easily and they need time for me to be sure enough about them to let others see them.* It is both a protective instinct that makes me guard my ideas to give them space to grow and also a fear of being criticized. No one wants their beautiful butterfly of an idea crushed by a careless comment from another human.

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It's for the birds!

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It's for the birds!

I have had two bird tapestries on the go for months now. Those of you who took Summer of Tapestry 2023* will recognize them and will also raise your eyebrows at the fact that they are not yet finished even though the live version of the class wrapped last month.

Yesterday on Change the Shed I cut off five four small tapestries from a variety of looms. I had planned on five, but the last one was not done. I wove on it some at the end of the broadcast, and you know what? Then I sat down and finished the thing and cut it off too.

This particular weaving is frenetic and WAY too busy for my taste. But it has been so fun to weave and it does fit well in the sketch tapestry spirit that the Summer of Tapestry class follows. It was woven for the process. I took photos of birds that came to my backyard feeder last spring and then I matched their colors and wove a bit about each bird. I enjoyed the time thinking about each of the birds and attempting to match their colors. The joy is in the process.

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Begin with the end in mind. Header and finishing choices in tapestry weaving

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Begin with the end in mind. Header and finishing choices in tapestry weaving

Have you heard the saying, start with the end in mind? It definitely applies to tapestry weaving when you’re making decisions at the beginning of a tapestry. There are many things to decide and the equipment and materials you currently have might make some of them for you.

For example, the loom you choose might dictate how you can display your work. If you have only very short looms*, you may not be able to finish your tapestry with a braided edge because you don’t have enough extra warp to allow that. A longer loom might allow you to use that finishing technique.

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Woven doodles and finishing work

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Woven doodles and finishing work

Sometimes a little doodle on the loom is all you need to find your weaving momentum again. I had completely forgotten about this little tapestry until last night. I have a very large pile of small and large tapestries that need finishing work. I hate to say it, but that pile has been growing since 2020. I know because virtually all the tapestries I wove on Change the Shed over the last three years are on that pile.

Last night when I was feeling weary and just wanted to relax on the couch and watch TV, I decided it was the day to tackle that pile. Instead of knitting while watching, I would finish those tapestries. And indeed I did the finishing on two small ones in an hour. One of the ones on the top of the pile was this little guy.

100 episodes of Change the Shed: a video romp through three years of tapestry weaving

100 episodes of Change the Shed: a video romp through three years of tapestry weaving

I started doing my live YouTube broadcast, Change the Shed, in March of 2020 as the Covid-19 pandemic locked us all down. Almost three years later, I’m still doing it. A few things I learned/remembered as I looked back over all those episodes:

  • The things that will make me cry in front of unknown numbers of people are (1) racism and (2) wildfire.

  • You sometimes always learn technology under pressure.

  • My live videos got a lot clearer once the city installed fiber optic.

  • Green screen is a bad choice for a weaving program.

Using an eccentric outline to shift the shed on Change the Shed

Using an eccentric outline to shift the shed on Change the Shed

I’ve been doing Change the Shed for one year and almost 10 months now. I started this free live program at the beginning of the coronavirus pandemic. There are now over 70 episodes and I’ve really enjoyed communicating with other tapestry weavers about what we’re working on and talking some about whatever my current project is.

The clip below was just one moment from today’s meet-up. I was explaining how I often use an eccentric outline to shift the shed when adding just one butterfly. It is a good example of the sorts of things I talk about on this program.

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The wildflower tapestry: weaving on the big loom

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The wildflower tapestry: weaving on the big loom

I’m back to weaving on my favorite loom. I had a few ideas for tapestries while hiking the 500-mile Colorado Trail last summer and one of them is taking shape on the Harrisville Rug Loom.

In the spirit of curiosity and adventurousness that the Colorado Trail hike only strengthened, I am doing some experimenting with this tapestry. Perhaps not drastically so since the forms I like to weave are clearly present. I’m just using different materials than I usually do. It is the first time I’ve ever woven a large tapestry with yarn that I didn’t dye myself.*

For the last 15 years of my tapestry weaving career, on large tapestries I have used Harrisville Koehler Singles or Harrisville Highland dyed by me. That allows me to make the gradations I love and to make virtually any color I can think up. In this tapestry I’m using 100% commercially dyed yarns. I have found that a little shocking sometimes. For example, the photo below where I’m adding the Daffodil color on top of Indigo was one such moment. I would probably never dye this bright yellow color, but there is it. It is an experiment and I’m withholding judgement until it is all finished. If I don’t like it, the sheep are making more wool as we speak.