How much yarn do you need for a tapestry?

How much yarn do you need for a tapestry?

The question that no tapestry techniques book I’ve ever seen (including mine) addresses is how much weft yarn do you need for a tapestry. Frustrating, right? If you don’t have a yarn stash, how do you know how much to buy?

If you owned a yarn store, you might just grab an extra skein if you ran out and not worry about it. But most of us do not own our own endless yarn supply. We want to make sure we won’t run short but we also don’t want piles of a color we may never use again.

Tapestry weaving has a different structure than other weaving and so the amount of yarn you need is a bit different that if you were weaving a scarf on a rigid heddle loom. However, some of the methods of estimating amounts are similar. There are several approaches you could take to figure out how much weft yarn you need. Warp needs are easier to calculate and I’ll address that at the end of the post.

Which way should I twist my weft bundle?

Which way should I twist my weft bundle?

In the Change the Shed episode on 2/11/26 which I showed in the video above, I had a moment where my brain couldn't remember which way to twist the two different yarns I was using. One yarn was a bundle of 2-ply yarns from weaversbazaar, the other was a bundle of Harrisville Koehler singles I had dyed. If you're going to twist your weft bundle, these two yarns need a different twist direction. I explain that in the video here including what S and Z twist means.

Vertical lines: joins and illusions

Vertical lines: joins and illusions

The current Tapestry Discovery Box* is about vertical lines. In it I talk both about how to create the illusion of vertical lines and how to do a variety of joins. In general, making lines that follow the warp is pretty tricky in tapestry weaving. It is much easier to create a line or curve in the horizontal direction because there are many more picks per inch than there are warps per inch in the other direction. It is all about the structure of the medium.

Spacing your warp evenly on a tensioned frame loom | Warping for Tapestry Weaving

Spacing your warp evenly on a tensioned frame loom | Warping for Tapestry Weaving

In my blog post of February 5, 2026, I talked about how to warp a peg loom unevenly for various setts. Following on that idea is how to space warps on other kinds of looms. In this post I’ll mostly be looking at tensioned frame looms warped a couple different ways. You might recognize this sort of loom as being a rectangle with some way to increase the tension on the warp. Examples are:

Closet find: my Saltillo project

Closet find: my Saltillo project

My first real education in tapestry weaving was at Northern New Mexico College in El Rito, NM. I was part of the Fiber Arts program which focused on traditional Hispanic weaving styles.* Our final weaving project of the course was to weave a large Saltillo.

Last weekend while reorganizing my studio, I found my Saltillo on a shelf. It is beautiful. And it is completely unfinished.

Warping a peg or slot loom unevenly

Warping a peg or slot loom unevenly

Many of us like to use small looms we can carry around or weave tapestry on on our laps. A few years ago I made this video for a blog post that Schacht Spindle Company did about their peg looms. In the video I show you how to warp these looms with uneven spacing to get the sett you want.*

The Schacht peg looms come with a rather odd sett of about 5.5 ends per inch and for weaving small, that doesn’t work for me most of the time. Often I warp these looms with a 1, 2, 1, 2 pattern to get 8-9 ends per inch or doubled to get about 11.