Book Review

Threads of Life by Clare Hunter

Threads of Life by Clare Hunter

Sometimes when I am really looking forward to a book written in the UK, I order it from there. Threads of Life by Clare Hunter was one I wanted to read and so in 2019 when it was first published in the UK, I bought the hardcover version. Which of course completely explains why I just finished reading the book I couldn’t wait to read so much I had it shipped from Europe in late 2021.

On the plus side, it is marvelous to read the book in the language it was originally written in. Because they change things for the US versions. Did you know this? There is an English translation for the USA. I don’t know if this is always the case, but it was true of James Rebank’s books. I have also bought his books in the UK version because they Americanize the language and in his case, even change the title (!) for the US version. Can Americans not learn how the British say things? Isn’t it good for us to remember that color can be spelled with a U in it and that the particularly British turn of phrase is fun to come across? Aren’t we smart enough to read books which are, for heaven’s sake also written in English, exactly as they were written?

Jilly Edwards: Yellows and Pinks

Jilly Edwards: Yellows and Pinks

Jilly Edwards is an artist working in woven tapestry from the UK. She currently maintains a studio in Bristol. I was able to interview her for my online course, Design Solutions for the Artist/Weaver, Season 2 this spring. Jilly is an inspiring artist who is keen to share her knowledge and work with the rest of the tapestry world. I spoke with her for several hours and as always when I write or talk to Jilly, I felt like I’d just had a heart to heart with the dearest of friends.

Fiber books: a brief look at my favorites so far this year

Fiber books: a brief look at my favorites so far this year

In the northern hemisphere, winter is bearing down on us. With COVID and colder weather keeping us home, I am digging through my “to be read” shelves and making stacks around my favorite reading spot.* I thought you might like a few possibilities for your own favorite reading spot so I’ve listed some of my current favorites below. These are fiber-related books but I definitely have a good mix of other types in my stack. These books are also all more process-oriented. I have some history-of-fiber or tapestry books queued up to talk about soon.^

How to Weave a Navajo Rug and Other Lessons from Spider Woman

How to Weave a Navajo Rug and Other Lessons from Spider Woman

Lynda Teller Pete and Barbara Teller Ornelas are sisters and tapestry weaving and teaching powerhouses. I’ve had the pleasure of talking to them at various events over the years and I’m always delighted to connect with their knowledge, insight, and fantastic sense of humor. They are not only wonderful human beings, but they have a passion for teaching that I seldom see matched. Before COVID they traveled extensively to teach most of the year. They teach workshops for Diné (Navajo) students frequently as many families lost their weaving knowledge due to racist and repressive practices of the US government two generations ago (and more). There are young Diné weavers working again today thanks in part to Lynda and Barbara’s work. (See the resources guide in the book for how to contact some of them about purchasing their artwork.)

The Nature of Things by Tommye McClure Scanlin

The Nature of Things by Tommye McClure Scanlin

Tommye McClure Scanlin is an artist from North Georgia. But I might also say that she is of North Georgia. She is an artist that is firmly rooted in this place she has lived all of her life and this is the thread I feel running through her artwork. Her new book, The Nature of Things: Essays of a Tapestry Weaver, has just been released from University of North Georgia Press.

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That dedication to exploration is one of the narrative strands throughout The Nature of Things. Because developing her own designs and work is full of this nature of exploration: from her walks in the woods as she contemplates subject matter through various methods of designing including painting, drawing, dyeing, collage, and woven sampling. Seeing this process laid out repeatedly in this book as she takes us through her work in various series and about a variety of subjects, underlines the organic way she works. She pays attention to what interested her in a particular project and she works through that interest in another iteration. Hearing her talk about this and seeing the images she provides of a project as it evolves is a powerful way to communicate her artistic process and draw us into her work.

The Art is the Cloth: How to Look at and Understand Tapestries

The Art is the Cloth: How to Look at and Understand Tapestries

This is the year of new tapestry books! Today’s example is Micala Sidore’s new book, The Art is the Cloth: How to Look at and Understand Tapestries from Schiffer Publishing.

This book is not quite what I expected it to be. I thought it would be a book with a fair amount of text that gave us some guidelines for how to understand what we’re seeing when we look at tapestries. I think I can be forgiven for that considering the book’s subtitle. Instead, it is a book with hundreds of images of tapestries and almost no text. It turns out this is a fantastic advantage for my education. You see, I’m really good at words. I like to string them together, often use way too many of them, and though I love pictures, if I can read about something, I’ll use my brain to mull the words instead of studying photos.

This book is ALL about the photos.