Book Review

Anatomy of a Tapestry: Techniques, Materials, Care

Anatomy of a Tapestry: Techniques, Materials, Care

Jean Pierre Larochette and Yadin Larochette along with Yael Lurie (illustrations) have produced a wonderful new book about tapestry. I read the whole thing this weekend and I highly recommend it. In fact, if you are a practicing tapestry weaver interested in French tapestry techniques, this book is an important one and absolutely should have a place on your shelf.

It contains information from a fairly wide swath of tapestry practice. Jean Pierre Larochette is an Aubusson-trained tapestry weaver with 60 or more years of experience who brings his practice to light quite poetically in this beautiful book. His daughter, Yadin Larochette, is not only a skilled tapestry weaver herself, having learned in her family’s workshop, but is also a textile conservator and provides a wealth of information in the last half of the book to help tapestry weavers create long-lasting textiles.

The Weaving Explorer

The Weaving Explorer

This gorgeous book dropped onto my desk last fall: The Weaving Explorer: Ingenius Techniques, Accessible Tools & Creative Projects with Yarn, Paper, Wire & More.

The Weaving Explorer by Deborah Jarchow & Gwen Steege is definitely a welcome addition to my weaving shelf. Gwen had a huge hand in the production of my own upcoming book, The Art of Tapestry Weaving, and I was so thrilled when she asked to mention my work in her own book in process with Deborah.

As you can tell from the subtitle, this is one of those books that takes on a wide swath of the weaving world. It is an adventurous romp through all kinds of things you can make from fibrous materials. And as in all books by Storey Publishing, it is beautifully produced with large, clear photographs in brilliant colors, clear text, and excellent how-to sections.

Vanishing Fleece: The story-telling of Clara Parkes

Vanishing Fleece: The story-telling of Clara Parkes

Clara Parkes has a new book and you’re going to want to go get it right away. It is called Vanishing Fleece: Adventures in American Wool. It came out the first of October and I spent my evenings that week reading it. If you are a fiber person and you aren’t yet a fan of Clara Parkes, I recommend taking a look at her work. She is doing advocacy for the fiber most of us love the most, wool. She is asking the questions about the wool industry in the USA and worldwide that need to be asked and with this book, she is actively looking for answers about how to save this fiber we need so much. I heard her speak on this subject when she was the keynote at the 2016 YarnFest in Colorado when she was on her book tour for her last book, Knitlandia.

In Vanishing Fleece, she tells the story of what she calls the Great White Bale. She came by a 676-pound bale of the finest Saxon Merino wool and decided to use it to explore the yarn industry in the USA. She divided the bale into four parts and had them spun in four different ways at four different mills in the US. She also explores dyeing at a range of dye facilities.

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Untangled: A Crafty Sheep's Guide to Tapestry Weaving

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Untangled: A Crafty Sheep's Guide to Tapestry Weaving

Untangled: A Crafty Sheep’s Guide to Tapestry Weaving has been several years in the making. The idea came from a student in a workshop I taught at the Michigan League of Handweavers Conference in 2015. Marg heard me describing yet another little trick I like to use when weaving tapestry and she said I should write a book about those tips. So I did.

I happen to know a fantastic children’s book illustrator, Molly McNeece, who was interested in the project. Molly is my first cousin and this project has become a wonderful collaboration. The book is dedicated to our grandmother, Marian Mezoff, who encouraged us to be artists when we were kids.

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The Mighty Ugly

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The Mighty Ugly

. . . The same thing has to go for tapestry weaving. It might be that I weave something and then weave it again another way and then again and again… and the good thing about that is then I have something that art people call “a body of work.” How cool is that? I thought I was just correcting mistakes! I find myself looking at weavings my online students make and recommending they try that idea again. I mean this in the sense of, “That is a great idea! Run with it!” and I hope they take it that way.

Raw Material: Working Wool in the West

Raw Material: Working Wool in the West

Raw Material: Working Wool in the West is a new book by Stephany Wilkes. Stephany is a certified sheep shearer, wool classer, and author. She had another life before this one and you can read about her transition to her sheep-y career in the book. She lives in San Francisco.

I love this book. I had not heard about it before receiving a copy for Christmas from my resident sociologist and I read the entire thing in a few days. The story starts with Stephany’s experience in shearing school, a journey she undertook on something of a lark because she wanted to figure out why her local California yarn store had no California-made yarn. California is the second largest wool-producing state in the US after Texas and it didn’t make sense that there was no local yarn in the shop. California produces a lot of wool, but almost none of it is processed within the state.