Tapestry Weaving

Yarn adventures in Tacoma: teaching, Clara Parkes, and all the other bright stars here...

Yarn adventures in Tacoma: teaching, Clara Parkes, and all the other bright stars here...

I was thrilled to be able to teach at the first annual Red Alder Fiber Arts Retreat in Tacoma last week. I had a great time and thought you, dear reader, might like to see what happened at this conference.

I’ll start with the workshops I taught. The students were so much fun. I am not sure if this is a Pacific Northwest thing or if this particular show (which was Madrona until this year) just brings in people who are easy-going and eager to learn, but my classes were full of such bright souls. I taught Is Tapestry for Me? which was a 2-day beginning tapestry class. And I taught a one-day color class where we played with optical mixing.

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A France adventure: the tapestries of Dom Robert

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A France adventure: the tapestries of Dom Robert

On my tapestry tour with Cresside Collette in France last May, we visited the Museé Dom Robert in Soréze. I posted a video with some thoughts about this visit to Albi, Soréze, and the museum in THIS post from June of 2019. I’d like to show you more of the photos that I took of Dom Robert’s tapestries.

Guy de Chaunac Lanzac, otherwise known as Dom Robert, lived from 1907 to 1997. In 1930 he entered a Benedictine abbey as Brother Robert and became a priest in 1937 and was ordained as Dom Robert.

In 1941 he met Jean Lurcat who inspired Dom Robert to become a tapestry cartoon designer. His tapestries were woven primarily by Tabard and Suzanne Goubely in Aubusson. Though tapestry weavers in the USA might be disappointed to realize that these large-scale tapestries were not woven by the same person who designed them, this is common practice elsewhere in the world even today. Dom Robert was a tapestry cartoon designer, not necessarily a weaver. He clearly understood weaving techniques and his cartoons seem very approachable to me as a tapestry weaver.

His work includes 150 cartoons, mostly woven in Aubusson. Numerous copies of his cartoons were often made and most are in private collections.

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Habits not resolutions: Weave every day.

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Habits not resolutions: Weave every day.

Historically speaking, I think we can safely say that I’m rubbish at New Year’s Day resolutions.

I remember a New Year’s Day when I was a pre-teen deciding that I was going to write a letter to someone every single day of the year. This was in the 80s before the internet though I probably had learned to type on my electric typewriter by then. But my resolution was to put pen to paper and hand-write someone a letter. Every. Single. Day.

I made it to January 8th.

As humans we certainly love to make grand promises to ourselves of how we’re going to change our lives starting with this one day which marks a new calendar year. But it is just another day and we are still the same people we were on December 31st (though hopefully a little more sober).

Archie Brennan: builder of a worldwide tapestry community

Archie Brennan: builder of a worldwide tapestry community

Archie Brennan passed away on October 31, 2019. He was an artist, a teacher, and someone who had a significant impact on the face of tapestry today. Archie began his weaving career at 16 years of age with a seven-year apprenticeship at the Dovecot in Scotland. He was eventually became director of the tapestry workshop and also established the tapestry department at Edinburgh College of Art.

Please take some time to get to know a bit about his life, his work, and his thoughts about tapestry weaving. I believe it is important and helps those of us who are contemporary tapestry weavers place our practice in the broader historical context of this art form. Archie, perhaps more than anyone else in recent history, was able to express the shift that happened in the early 1900s from reproductive tapestry where paintings were copied in great detail to an artist/weaver approach where the weaver also designs the work. He was instrumental in creating this shift first through his work at the Dovecot Studios as a weaver and their director, then in other parts of the world.

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Yarn experiments and more little weavings

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Yarn experiments and more little weavings

I grew up in New Mexico so it always feels like coming home when we decide to come south for a little vacation. We’re back for the week spending some time with family and friends and watching the snow storms roll across the Sangre de Cristo Mountains. I packed the car with a small selection of little looms, fleece, yarn, and a couple spindles for a week in northern New Mexico. Thus far I’ve finished a piece I started in Georgia and have warped a few more looms with some vague ideas what the next tapestry diary piece will be on one of them. I thought I’d share a few things I’m messing around with for fun this week.

North Georgia and North Carolina adventures in tapestry weaving

North Georgia and North Carolina adventures in tapestry weaving

I’m home from my two week residency at the Lillian E. Smith Center near Clayton, Georgia. I learned a lot about an amazing author and civil rights activist (Lillian herself, author of Strange Fruit) and I learned some things about myself. I also had some fun adventures. Let’s stick to the adventure part of the story for today.

I had some yarn adventures while in this part of the country. They include:

  • a stop at Penland School of Crafts

  • a visit to the Southeastern Animal Fiber Fair (SAFF) in Asheville

  • two interviews with tapestry weavers from the area

  • exploring Black Rock Mountain State Park

  • my own work during the residency.