Tapestry Weaving

Troubleshooting, Part 2

Troubleshooting, Part 2

I started putting together a list of resources from my past blog posts and newsletters of the things that I see give tapestry weavers the most trouble. I wrote the first blog post about this February 22, 2024 and realized there was at least one more blog post worth of things high on the list of most-frustrating.

In the February 22 post I covered these things:

  • weft tension

  • choosing yarn

  • getting the last warp tight on a continuous warp

  • design and getting the effects you want

Let’s add a few more to the list.

"What do I do when it won't weave?!" How to fix your sheds in tapestry weaving

"What do I do when it won't weave?!" How to fix your sheds in tapestry weaving

How many times as a newer tapestry weaver have you felt frustrated because you’re weaving along and suddenly your wefts are in the wrong shed?*

Wait, what is a shed anyway?

How many of us who have been weaving tapestry a long time remember those days when every time we added or subtracted a weft in our design our sheds were wrong? Or we are trying to fill in a dip between two forms or add a new color into a pattern and there were either lice or the wefts just wouldn’t go where we wanted them to go?

The biggest leap I ever took

The biggest leap I ever took

Ten years ago I left my job as an occupational therapist to be a full time artist and fiber art teacher. In that moment I didn’t know I wouldn’t return to healthcare. All I knew was that the job I thought was my perfect forever-job (pediatric outpatient OT), was ruled by a boss and a system I couldn’t stomach any more. I had only been at that job a year though it was my 17th year working as an OT.

Spinning for tapestry weaving: Moreno and Mezoff

Spinning for tapestry weaving: Moreno and Mezoff

Moreno and Mezoff. I think we might be a force to be reckoned with!

Jillian Moreno is so many things, but one of her outstanding skills is her teaching ability. She is an author, editor, creative, and someone who makes things happen. She wrote Yarnitecture but did you know she also wrote two books about knitting before that? She has so many tricks up her sleeve for helping newer spinners make the yarns they want to make.

This week we experienced that magic at a retreat she and I taught together in Taos, NM which we called Spinning for Tapestry. We played with different breeds, ways of spinning and plying, and color as we made some excellent and not so excellent tapestry yarns.

The participants came from all over the US and Canada and we greatly enjoyed our time at Mabel Dodge Luhan House. I’m quite sure we all went home a few pounds heavier and happier from the marvelous food.

Weaving eccentrically (the technique, not the personality trait)

Weaving eccentrically (the technique, not the personality trait)

I’ve finally made my first Instagram reel after years of resisting it and it did involve a fair amount of googling between the different software and platforms I was using. I have to admit that I did it in my video editing software, but it seems to have turned out okay. The reel (which is just a video on Instagram) is about the Tapestry Discovery Box that opens on Monday, January 15th. I’ve had such a lot of fun weaving the examples for this box. I hope you’ll join me for some tapestry play this quarter.

A week teaching in Taos and a return home in the snow

A week teaching in Taos and a return home in the snow

The week before last I was back in Taos teaching at Mabel Dodge Luhan House. We had a lovely week of tapestry weaving with a group of alumni, most of whom come back every year.

This retreat focuses on the design questions of the participants. This year I added another component and some of us looked at how to make vertical forms or lines in tapestry. Some of the participants used these ideas in their tapestries or samples for tapestries.

Making vertical forms in tapestry weaving is a challenge because we’re working on a grid and all vertically-oriented shapes have to go against that grid to build upward. That means that tapestry has a very stepped appearance. This is the nature of this art form and in a lot of cases I encourage students to embrace that.

But most of the time we want to make a stable textile and so all the regular factors of technique and materials come into play when weaving vertically oriented forms. During the retreat we talked about using techniques like double weft interlock, various other joins, sewing slits, using slits to suggest vertical lines, and other means of making marks that read as vertical lines.