Warping the countermarch loom...

I am happy to say that my Harrisville Designs Rug Loom is now warped. It took about 4 hours longer than I thought it would. It always does. I ran into problems at the end with the tie-up. Apparently after a year and a half in storage and three years of never changing the treadling before that, I have forgotten how to tie it up. After some pondering, I managed to make basket weave with this tie-up:
(where O is a raised shaft and X is a lowered shaft)
Basket weave was nice and all, but not quite the tapestry structure I was looking for. So I tried again with this tie-up (I double the treadle tie-up so that I can reach them easily no matter which side of the loom I am sitting on--you would really only need two treadles):
Bingo. Plain weave.
At one point I was so flustered that I tried to find a diagram online for a countermarch tie-up. The information available is remarkably scare. I will definitely be making a video about this subject before too long. Geez! I am sure there are weavers out there who warp their looms as infrequently as I do (after all, how often do you do a tie-up for your tapestry loom? Only when you take it apart to move it!) and I imagine them all madly googling "countermarch tie-up" and finding nothing much useful.

I went to high school in an age where I did my research in the library with a card catalog and index cards. I copied down information from the books BY HAND. When I was in college I think the card catalog was on computer, but I still was using books (you know, those wads of paper bound together on one edge) for the actual research. By the time I got to graduate school I had a computer into which I typed the information I was copying from, you guessed it, books. But now, I expect to be able to find information like how to tie up a countermarch loom in plain weave (for goodness sake!) on my smart phone in about 5 seconds. The information wasn't there. There was an excellent article by Madelyn van der Hoogt, but it was super hard to read on the tiny screen and the photos were for a different sort of loom than mine and my brain was tired. (The article was from Weaver's magazine, Issue 26 which I believe was printed in 1994.) In the end I dug out Rachel Brown's The Weaving, Spinning, and Dyeing Book. She had a draft for twill for a countermarch loom in there and from that I realized what I had to do. Problem solved. Thanks so much Rachel. You always come through for me.
(The writing on my equipment is courtesy of my grandmother. She didn't have a single piece of weaving equipment that wasn't written on. Mostly it is endearing except perhaps for the first edition weaving books that are underlined within an inch of their lives.)



I am pretty glad to be done with this part of the warping especially. I am 5' 10" tall and when I have to climb inside the loom I do understand the greatness of Cranbrook's extended back space. That sectional back beam isn't a very comfortable back rest.

Weaving Tapestry in Santa Fe


To get the ball rolling in my new studio, I am going to be teaching my Color Gradation Techniques for Tapestry class May 4, 5, and 7.
Here is a little something about the class:
Tapestry weaving is the ultimate slow fiber movement. It is also a tradition that is deeply rooted in New Mexico. Santa Fe is the center of that mix of Hispanic, Native, and contemporary tapestry weaving and the result is uniquely New Mexican. Rebecca Mezoff’s tapestry studio in the Second Street art district is a beautiful place to come and learn the art of tapestry or refine skills you already have. The never-ending movement of weft through warp is a wonderful way to express creatively as well as a way to slow down and find some rhythm in life.

Color gradation is a striking feature of Rebecca’s work. She loves to teach the blending of color to students with a variety of techniques and her large palette of hand-dyed wool yarn. During this three-day class, students will explore the movement of color in tapestry by weaving a sampler. Different forms of tapestry techniques to move color will be explored and we will create color gradations in all directions in the weaving. Color mixing techniques will be explored and some color theory will be discussed. More advanced students will utilize the techniques to weave a study for a larger piece. Class fee includes use of Rebecca’s hand-dyed tapestry yarn as well as extensive handouts and resources. The class includes Powerpoint presentations as well as the opportunity to create in a working tapestry studio.

This class is offered Saturday, Sunday, and Tuesday giving you a day on Monday to explore the art districts of Santa Fe or experience some of northern New Mexico.

You can find my other class listings (with more coming soon!) and some testimonials about my teaching on my website at http://www.rebeccamezoff.com/teaching/.

The class will be small and we will have a lot of fun!
Class fee is $295 for the three days which includes my standard materials fee for the hand-dyed yarn we will be using. Students will need to bring their own warped loom for the class, either a small floor loom or a table-type tapestry loom (such as a Mirrix).

Please email me if you'd like to sign up for this class. Eventually I'll be rolling out an online sign-up system, but I'm not quite there yet! rebecca (dot) mezoff (at sign) gmail (dot) com

The Harrisville Rug Loom returns!

Look what happened in my new studio today! This pile of hardware
 held together a bunch of wood and metal to become this loom.
I went from here:
to here:
In a few hours.  I should mention that I had a lot of help from Emily. I have put this loom together alone, but for the life of me I don’t know how I did it. You need about 40 hands to hold all those parts together and still get in the bolts.

The process wasn’t the easiest. The first time I took this loom apart to move it from my grandparents house to my place in Velarde, NM, I took a lot of photos. Those photos still exist somewhere in a hard drive that is undoubtedly buried somewhere in the boxes of stuff not yet unpacked in Santa Fe. So today I was flying by the seat of my pants to put this baby back together. I did really well with just about everything (and sometimes I was just going by where the wood had darkened where it was exposed to the sunshine to fit pieces together) until I got to the lamm system. Countermarche looms are a little more complicated than jack looms and my memory failed me when it came to hooking up the upper and lower lamms. There are a lot of cables and this is only a 4 harness loom.

I was faced with the myriads of little parts that make up the rollers over which the cables run from the top lamms.
I just couldn’t work out exactly which way the upper lamm assembly had to go in to make the whole roller/cable thingy work. I don’t have internet access yet and didn’t have my computer anyway, so I started digging in the boxes of books scattered about the studio. I did find the loom manual finally though unfortunately it was almost entirely text-based (being from the 1980s when my grandfather bought this loom). I sorted out which cables went where, and at long last the Harrisville is back in working order.

I can’t wait to start warping it.

Welcome to New Mexico, the Land of Enchantment



I have lived much of my life in New Mexico and it wasn’t that long ago that I left the state for Colorado (534 days to be exact). I didn’t think I was moving back soon, so I became a Colorado resident (again). Surprise! It is back to New Mexico for me. Really they should just give me dual residency, Colorado and New Mexico. It would be so much easier.

Last weekend I moved out of the little farmhouse near Alamosa, Colorado. I loved the quiet there and watching the cranes, but I will not miss the skunks! It will forever be known as the skunk house. In fact, I woke up the other morning in the new condo in Santa Fe, and the first thing I thought was, boy it smells really nice and clean in here! The underlying skunkiness apparently just became a new normal during my time in Alamosa.

There was a Budget truck involved. Some crying… a stop at a gas station in La Jara to get a soda to assuage the crying, and in my fatigue, I failed to see the BIG no parking sign I parked the truck about 5 feet in front of. The cop was nice and the tears probably helped me get off with a warning. The truck got unloaded in Santa Fe and we went back to Alamosa for the cleaning and the final load of stuff.

I didn’t do a great job packing the moving truck. I underestimated the stuff in that house and didn’t go high enough. So at the end I couldn’t find a safe place for my spinning wheel. She had to wait until I returned with just the car to bring her to the studio. She got her own seat right next to Cassy the dog.
Between Alamosa and Santa Fe is a mountain called San Antonio. This mountain has threatened to take my life many times and I am extra vigilant and say a little blessing for the mountain every time I approach now. It doesn’t look scary in this photo, but believe me, it can be fierce.


Several times I have been stuck in white-out conditions in my little Volkswagen Golf  on this stretch of highway and once was saved by a semi who apparently could see where the road was from his higher vantage point, because I had no idea. All I knew was that I couldn’t see the road, I knew there was a ditch on either side, and I couldn’t stop. I could see nothing at all... just white blowing snow. I have driven through there in the early morning hours to find thousands (I am not exaggerating for once) of elk standing on the road. They don’t move easily either. I think it is possible some of the big guys outweigh my car. And once in May a couple years ago there was a freak snowstorm and I must have hit some black ice because a gust of wind sent me into a spin and I was suddenly going down the highway at 60 mph backwards. I didn’t roll. I did end up in the ditch, but I was fine. I respect the mountain now.


The looms are slowly coming home to the new studio in Santa Fe. The LeClerc has arrived, the workshop Macomber and Mirrix made it, the Ladybug spinning wheel survived the car trip thanks to the seatbelt, and the other looms will arrive this week from their long sojourn in a storage locker. I can’t wait to tighten their bolts and warp them up. Just imagine the potential of all those empty looms! I can’t wait.

Taos in the New Mexico magazine

The New Mexico magazine has been kicking around the corners of my life for a long time. It seems there is always something about Tony Hillerman, Christmas chili (red or green?), and the little column at the back called "One of our 50 is missing" (yes, New Mexico is a US state and has been since 1912). Once in college in Wisconsin I remember buying a sweatshirt that said ALASKA on it at a department store and after looking at my drivers license, the clerk asked me what it was like going to college in another country. I refrained from asking her where she was in fifth grade geography class, though come to think of it, perhaps NM wasn't a state when she was in fifth grade.

The new house in Santa Fe isn't ready yet and I am squatting wherever I can while I start my new job. Last week I stayed at an extended stay hotel and found the March 2013 issue of the magazine stuck between the Gideon's and the HBO guide.
The feature article was "25 reasons to love Taos". I can think of many reasons to love Taos, and quite frankly if Emily and I could find jobs there, we'd be moving to Taos instead of Santa Fe. It is a great little town with some fantastic hiking, a whole lot of old hippies, some new hippies, a great bookstore, and a bunch of fiber.
Reason number 14 was "High Fiber Content" and featured Taos Fiber Arts which I have blogged about HERE before. And in THIS post which has photos of the amazing replica standing loom they have in the gallery. Ashley and Julie Cloutman, a mother-daughter team who have been around Taos for a long time, run a very high fiber content store. I love what they do. I love their enthusiasm. I love Ashley's nuno felted scarves and her youthful approach to fiber, and I love the replica loom and the beautiful textiles Julie weaves. I haven't visited in a few months, but I think they are now carrying Fred Black's rugs also--always a treat.
I was so tickled to find their feature in New Mexico magazine.

As Julie and Ashley would say, Art On!

The great house hunt of 2013...

Looking for a rental house is tough. It is hard work and can be completely depressing. After weeks of haunting Craigslist and asking friends if they know anyone with just the right rental, we did narrow it down to two properties. And from there we were stuck.  There was the beautiful adobe house which was small but in a stellar location close to downtown. It was completely remodeled with the most gorgeous kitchen I've ever seen in a rental including fabulous details like drawer pulls in the shape of spirals (yep, that was a big plus for me) and beautiful hardwood floors and a stone shower. The patio was attractive flagstone and I could imagine myself sitting out there chatting with a friend or reading a book. There were even stacked front-loader washer and dryer and a cedar-lined closet (okay, it was the only closet in the entire property and it would hardly hold our coats much less any clothes, but it was cedar lined!). When you're moving to Santa Fe, New Mexico, how can you pass up the house with real adobe walls, skylights, kiva fireplace, flagstone patios, rose bushes and plum tree, privacy fences, private parking, location on Old Santa Fe Trail (FOR GOODNESS SAKE!!!)? That is what I call adventure.

There was also the condo that was farther from the center of town, but was also incredibly lovely with tile floors, skylights, two bathrooms, a backyard, and in a housing area with extensive walking trails and a dog park. These are a big deal for me--the trails and dog park. I am a walker and to be able to walk out my front door and head into relatively wild territory for being within the city limits, is priceless. Both properties were only a few miles from my new studio and the hospital where I will be working. Neither had registered sex offenders living next door (as a last ditch effort we looked up addresses of sex offenders to see if that would help tip the scales one way or the other--unfortunately this was no help at all).

The journey to that point had been somewhat tedious. We turned down a lot of what we saw. There were the apartments that were crammed together and felt like a college dorm room (I'm too old for this, right? A pool doesn't make up for the kid on the bigwheel riding around the breezeway outside my door all day either, and come to think of it, that kid probably just peed in the pool). There was the place where the workmen were ripping out the disgusting carpet to reveal hardwood floor (yeah!), but there were still kitchen counters from 1970 and multiple roach and mouse traps clearly visible. There was the guesthouse that was a block from the hospital in a beautiful neighborhood which had a huge leak in the ceiling (right over the bed) and significant damage, discovered when it was shown to us. We turned those down.

And there were all the beautiful places that were big or in stellar locations but were way above our price range. We didn't look at those. Who needs the temptation.

In the end it came down to the beautiful remodeled adobe in historic downtown Santa Fe versus the large modern condo with the dog yard and walking paths. Both properties seemed to say, I am an adult and my life is something I need to be infinitely grateful for. That this was our choice is humbling.

The search did have some humorous moments.
Here was the absolute best Craigslist ad I saw. It was so good that I went to take photos of the property even though we didn't schedule a viewing (the house was about 30 feet from the busiest road in Santa Fe, and I don't have the temperament for it).
The rent was cheap (for Santa Fe) for a 1450 square foot house--$800. Here is the actual text from the ad:
Unfurnished, newly refurbished adobe cottage.... Two bedroom, one bath, large living room, full kitchen, utility room. No smoking. References and security screening required. $800 per month plus utilities. First and last month, security deposit, one year lease. 
Sounds great, right?  And then the last sentence explained the price:
"Cemetery gatekeeper requirements."

The house is on the grounds of Fairview Cemetery, Santa Fe's historic cemetery right on Cerrillos road. And you know, it turns out they didn't allow dogs. I suppose they didn't want the dog relieving itself on someone's grave. I guess I can understand that. (Though of course I don't think my dog would EVER do such a thing!)

When searching the internet for more information about the cemetery, the Wikipedia link revealed this:
In recent years Fairview Cemetery has become notorious for its prairie dog infestation, which causes human remains and coffin pieces to sometimes be visible on the grounds.
Perhaps that also explains the "no pets" policy. Dogs with a proclivity for digging would certainly go after the prairie dogs which could be unfortunate for the underground residents of the property. This whole cemetery thing doesn't really creep me out (perhaps due to long years of working in hospitals and nursing homes where the dead are something you do encounter), but I do understand that it might not be everyone's idea of the best job description.

Here is the house (to the right) from another angle:

And another:
Just remember, in life there are many adventures. And perhaps your calling is to be the gatekeeper at a historic cemetery in the oldest capital city in the United States. I suspect the job is taken by this time, but you could still ask. Since I already have two jobs, I didn't feel that adding "cemetery gatekeeper" to the list was necessary, though perhaps I shouldn't have dismissed it so readily. Wouldn't it look great on my resume?

There is a lot of waiting when you're looking for a place to live. We looked at a lot of properties through a property management agency and they schedule viewings quite strictly. During one waiting period, we went to get a car wash for Emily's Camry (which admittedly was VERY dirty due to the gravel roads we live on in Colorado). I get a lot of flack from my family and friends about all the bags of stuff I cart around, but because I had my knitting bag in the car, I had something to do in the 25 minutes it took to get the car vacuumed and washed.

Being able to stand and knit in the New Mexico sunshine on a Tuesday afternoon: Priceless.
And if you must know, we finally chose the condo. Perhaps not as imaginative, but much easier on the pocketbook.

Relocation: the final word.

Here is the news a lot of you have been waiting to hear.
Others may be mildly interested.
Some of you won't care one bit.

The long question of where Emily and I are moving has finally been answered. In a stunning series of synchronicities, we have engineered a new life to begin frighteningly soon in Santa Fe, New Mexico.

We were supposed to go to Seattle. For those of you who were (or still are) certain we were moving there, I apologize profusely. My OT license in Washington state was hung up because of a minor paperwork glitch caused by their ridiculous forms my missing a small detail in the application which had us waiting another 6 weeks for the needed license before the move. In that time, three excellent job offers were made to us (only one to me actually, but Emily deserves the bulk of them as she has waited a long time for a good job) and we settled on two of them (one each).

The best news for me is, thanks to my excellent weaving colleague Cornelia Theimer Gardella, I found an amazing studio space in the Second Street area of Santa Fe. It is a place full of artist lofts and Conni and I will be opening our studio there in April.

We will have an official studio opening in September 2013. In the meantime, I look forward to many studio visits from all of you. I'll keep the teapot ready. It is time for me to weave some big tapestries. This transitional period has been long and my big looms being in storage has been difficult. They are soon to be warped again. I already have the ideas piling up. And thanks to a relocation bonus from my new part-time job in health care, I am, for the first time in my life, going to pay someone else to move those big looms into the studio. Whoo Hoo!

I grew up in New Mexico, and for me, this is a return home. Santa Fe was the shining city that we got to visit occasionally as kids when my parents went there for conferences. In fourth grade my class made a trip to visit the capital and we slept on the gym floor of the NM School for the Deaf. Besides having to learn my times tables (which were really hard for me), it is my one memory from that school year. So I'm going back to Santa Fe to make more memories (though hopefully not sleeping on gym floors).

I am grateful for a long list of events which have gone in our favor (which starts with my parents helping me get a masters degree in a popular field), moves through a great adventure as a tapestry weaver, and lands at a beautiful home and studio in Santa Fe, NM with my amazing little family. I am truly blessed.