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I just received my catalog for the American Tapestry Alliance small format juried show Small Tapestry International 5: Crossroads. What a lovely show. I am tempted to take a road trip when it is near Dallas.
This post includes some images from the catalog and a statement from the juror. She challenges us to think about tapestry's place in the world and directions we could take this art form. Do you agree with her?
I get questions fairly often from people who know I backpack with a loom and want to know what I take. What I pack does vary depending on whether I am going backpacking or car camping or traveling to teach somewhere.
As a lightweight backpacker, my total pack weight before food and water is between 13 and 18 pounds. The lighter the better as food and water can add another ten pounds to the total. Hiking becomes miserable with more weight than that. So any craft that I bring into the backcountry has to be both small and light.
I've just returned from a week teaching in Victoria, B.C. Canada. Victoria was gorgeous, and mostly I just saw the UVic campus and places nearby I could walk to. I enjoyed the mild weather and time on the beach watching the sailboats. I talked a little bit about my love for Canadians in my last blog post HERE.
I'm in Victoria, B.C., Canada this week teaching at the ANWG (Association of Northwest Weavers' Guilds) conference. What I can say is that Victoria is so lovely I'd move here and that Canadians are extremely nice. I know this is said about Canadians a lot, but I want to present a little evidence below.
My Petrified Forest tapestries have found their way into a wonderful show in Athens, GA this summer. Time Warp... and Weft. Woven Works is a show at Lyndon House Arts Center which is open until July 29th.
Tommye Scanlin, Janette Meetze, Janet Austin, Geri Forkner, and Kathy Spoering are the main force behind this show. They have been doing time-based weaving for many years and have displayed these works together several times recently. I'm so happy they have asked me to be part of the Lyndon House show with my artist-in-residence tapestries.
I just got home from Midwest Weaver's Conference which was at Butler University in Indianapolis this year. I have not taught at MWC before but found that it is one of the teacher's favorites. And for good reason. The students were bright, motivated, and self-starters.
(Spoiler alert for ANWG* students next week!) The pre-conference class I taught was Predicting the Unpredictable: Color in Tapestry. This is my color theory class and we start out talking about value. Value is the relative lightness/darkness of a hue when compared to the grayscale. It is incredibly important in art design and I find that many weavers don't understand it well at all. So one of the first things we do is rearrange the yarn table by value. This has an added benefit for me: I don't have to organize the yarn when I pull it out of the suitcase.
Many of the materials and tools I use for tapestry weaving are made by Harrisville Designs. So it is only natural that I wanted to visit this year when I was in Vermont. We flew in and out of Manchester, N.H. so we took a little different route back to the airport after the Vermont retreat and just had time to take the detour through Harrisville after a night in Keene.
