The Petrified Forest Tapestries book

The Petrified Forest Tapestries book

In November of 2016 I was the artist in residence at Petrified Forest National Park in Arizona for a month. For that month, nothing was expected of me except that I give two public programs at the vistor's center and that I go about the business of making art. I didn't have to produce anything during the month and I had pretty much full access to the park as long as I asked permission. I was given a casita right in the park to stay in--the only person staying behind the gates after dark. And I was able to experience the wonder of the painted desert alone at sunrise and sunset.

I wanted to do a sort of tapestry diary while I was there. I thought I would try to weave a 2 x 2 inch tapestry every day though at the beginning I wasn't sure I would stick with it as it took about 3 hours a night to do the weaving. But a few days in, I loved the process and I ended up weaving 27 tapestries, one for each day I was in the park.

I found that the process of doing that project in that place was very helpful to my creativity.

Small-format tapestries: Crossroads

Small-format tapestries: Crossroads

I just received my catalog for the American Tapestry Alliance small format juried show Small Tapestry International 5: Crossroads. What a lovely show. I am tempted to take a road trip when it is near Dallas.

This post includes some images from the catalog and a statement from the juror. She challenges us to think about tapestry's place in the world and directions we could take this art form. Do you agree with her?

My Hokett kit

My Hokett kit

I get questions fairly often from people who know I backpack with a loom and want to know what I take. What I pack does vary depending on whether I am going backpacking or car camping or traveling to teach somewhere. 

As a lightweight backpacker, my total pack weight before food and water is between 13 and 18 pounds. The lighter the better as food and water can add another ten pounds to the total. Hiking becomes miserable with more weight than that. So any craft that I bring into the backcountry has to be both small and light.

Time Warp

Time Warp

My Petrified Forest tapestries have found their way into a wonderful show in Athens, GA this summer. Time Warp... and Weft. Woven Works is a show at Lyndon House Arts Center which is open until July 29th.

Tommye Scanlin, Janette Meetze, Janet Austin, Geri Forkner, and Kathy Spoering are the main force behind this show. They have been doing time-based weaving for many years and have displayed these works together several times recently. I'm so happy they have asked me to be part of the Lyndon House show with my artist-in-residence tapestries.

A conference, a cafeteria, and a lot of humidity... Indy.

A conference, a cafeteria, and a lot of humidity... Indy.

I just got home from Midwest Weaver's Conference which was at Butler University in Indianapolis this year. I have not taught at MWC before but found that it is one of the teacher's favorites. And for good reason. The students were bright, motivated, and self-starters.

(Spoiler alert for ANWG* students next week!) The pre-conference class I taught was Predicting the Unpredictable: Color in Tapestry. This is my color theory class and we start out talking about value. Value is the relative lightness/darkness of a hue when compared to the grayscale. It is incredibly important in art design and I find that many weavers don't understand it well at all. So one of the first things we do is rearrange the yarn table by value. This has an added benefit for me: I don't have to organize the yarn when I pull it out of the suitcase.