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Everyone said you could buy yarn everywhere in Iceland including at the grocery store. This is both true and not true. While I did find yarn in some grocery stores, definitely they don’t all carry this staple. But then many didn’t carry gluten free staples either.
I found that the grocery stores in Reykjavik in the city center did not have yarn. For that you should go to the Handknitters Association of Iceland. You can also pick up a handknit sweater while you’re getting your yarn.
Icelandic sheep are the only ones that live on the island. As such, their genetics are well preserved. The wool there is mostly processed by Istex, the company that makes lopi yarn in various sizes. There is Alafosslopi (bulky), Lettlopi (worsted), Einband (laceweight), and Plotulopi (unspun wool used for knitting) along with a few others.
I bought Einband for tapestry weaving. More on that later in the post. I also bought a few skeins of Lettlopi to try my hand at some Icelandic/Nordic mittens. The pattern is Emma’s Ice Flower Mittens (Ravelry link). I forgot how much I enjoyed stranded colorwork. And I have to say that this yarn is outstanding for this kind of garment. Oh my goodness but this Lettlopi grabs. These stitches aren’t going anywhere.
Istex is the business that processes most of the fleece in Iceland.* I am quite sure I have never seen so much wool in one place.
There is only one scouring facility in Iceland and it is in Blönduós where I did my artist residency. Istex is the largest wool processing organization in Scandinavia and exists in Iceland in a couple different locations. In Blönduós they do the scouring and at the end of that process, the fleece is baled in 300 kg lots for shipment either to Europe to make carpet in the case of the lowest grade winter wool, or to the next Istex facility to be spun into yarn.
Huge bags of wool arrive from all over Iceland awaiting processing. I have no idea how much wool was here waiting, but countless bays like these full to the ceiling plus shipping containers outside.
I love being outdoors and Iceland is a place I can revel in amazing views, wildlife, and the wild swings in weather. The first post I wrote about exploring the landscape of Iceland is HERE. It included photos of the Northern Lights.
Since then I’ve enjoyed exploring more of the northern part of the country and wanted to share a few of those adventures. There are a lot of photos here and I hope you enjoy them. I had to choose from so many, but these were some of my favorite spots. I made these trips with the best of friends and though you don’t see them in the photos, know that I was enjoying time with three of the best humans I have ever known.
I love open views, horizon, and feeling like I can see forever. I grew up in New Mexico which is like a warmer Iceland in many ways. I love being able to see the horizon, to view mountains in long stretches, and of course I love being above treeline in my current home state of Colorado. When I visit relatives in places like Michigan and Mississippi where there are a lot of trees, I get lost easily and I feel hemmed in. Many people have commented that the photos I’ve posted on social media of this trip look very stark, but I love that feeling of open space.
I am still at my Icelandic Textile Center residency in Blonduos. I’ve had a lot of fun researching and working with Icelandic fleece. Please see THIS earlier post for more details about Icelandic fleece and my project.
After the sod house tapestry and the woven sample I showed in that post, I kept spinning and finished another small tapestry. The more I spun, the more I could recognize what I needed in the yarn and I’ve gotten closer to singles that I like. When starting out, I was putting very little twist in the single because that is what you’re “supposed” to do when spinning singles that are to stay singles. But for tapestry, I didn’t like it. It was far too bumpy and uneven and more twist allows me to smooth it out to make a more even single.
When applying for this residency, I designed a project working with Icelandic fleece. I wasn’t even sure I would be get my hands on any raw fleece, but I managed to find a source through the friend of a friend and have been playing with the little bits I have. I am looking at how Icelandic works for tapestry yarn and getting a lot of spinning practice in in the process.
I had to work with the fleece I was able to get. A little bit of it is outstanding, lots of it is spinnable but not great, and some of it is not going to make the tapestry cut though I have been considering trying to spin it for knitting.
My tapestry yarn woven test includes these sources. All but the fleece I purchased either at the Handknitters Association of Iceland in Reykjavik or in grocery stores in the rural north. The Plotulopi came from the Kidka Wool Factory Shop in Hvammstangi.
raw fleece
Einband: a lace-weight singles yarn made by Istex that is quite nice for tapestry
Plotulopi: the traditional unspun roving sold in plates
Lettlopi: mostly I’m making a pair of traditional mittens from this, but it actually weaves quite well also. Worsted weight.
Schacht Spindle Company has a selection of tapestry looms that I use. Their peg looms are sturdy and easy to find in the USA and in some places around the world. While I love their new Arras tapestry loom (reviewed here), their peg looms are great for travel or for small projects at home. These looms include the Schacht Lilli Loom, Easel Weaver Loom, and School Loom. The pegs used on these three looms are all the same and the sett is about 5.5 ends per inch. Most of us don’t want to weave at 5.5 ends per inch when weaving small things because we want more detail, so how do you warp these looms to get closer setts?
