I spent a wonderful week in Holland, Michigan teaching classes for the Michigan League of Handweaver's Conference. My mother is from Grand Rapids and is 100% Dutch. That makes me half Dutch and that part of me was happy to be back for a few days. I was very impressed by the caliber of teachers at this conference. It is a small conference and was so much fun. I think it would be a great choice even if you don't live near Michigan. It is a conference worth flying to.
This was my room for the three workshops spread over five days. I talked some about the first two in THIS blog post. Monday to Wednesday was a color theory class and I couldn't have asked for a better group of students.
We spent some time working with color aid paper. Anne was working with warm and cool contrast in this example. Paper is a good way to look at color interaction quickly. It is also a good way to start training your eye to see different aspects of color BEFORE you spend a year weaving a tapestry.
On the last day of class Millie was wearing these amazing fish pants. And I caught her working on some paper color projects in the sunshine.
Here a different Anne wove a wonderful study of warm/cool contrast.
And following are a few more studies in value and simultaneous contrast.
This value exercise that Beth did was one of my favorites. When we converted this to black and white, those bars almost all disappeared--the orange-red being the difficult color for everyone in the class.
Jenn's example beelow was turned around the back of the Mirrix loom. I loved the curves. And again, when converted to black and white it was an excellent value study. That orange-red being the one tough nut to crack!
And for those of you who are keeping track, 9 of 12 students in the class had Mirrix looms. That didn't count the two that I brought. This continues to astound me but I am happy to see it. They are great looms (and I will say again, I do not work for Mirrix).
One student with macular degeneration had this great idea to help her visually with her warps. She colored every other warp with a Sharpie, but you could certainly warp the loom with two colors of warp. Bockens makes cotton seine twine at least in the 12/6 size in many colors. This particular student gave me a fabulous idea for a little book the last time I taught at MLH, so probably I should try to spend more time with her. Her ideas are excellent. (The book is still in process, but it will show up one day before too long.) This loom is a Leclerc Penelope, thus the rigid-heddle-like shedding at the top.
And of course the tulips are long gone, but Holland is now sporting some roses.
I didn't go tilting at windmills, but one morning I did take a walk to see this one which I remember visiting as a child. The tourist booth was closed so early in the morning so I walked to an overlook and there it was.
And I love looking for cranes. I always say I'll be a birder when I retire many decades from now.
My dear uncle and aunt rescued me from Holland and took me to Marie Catrib's for dinner in Grand Rapids. It is a wonderful place for gluten free food. And I'll admit that I added to the glut of deserts I ate over the week by topping it off with one of Marie's salted carmel cupcakes.
Soon I am going to go to my studio and do something I haven't had a chance to do in many weeks. Weave! ...just as soon as I send today's newsletter.
(pssst... if you'd like to get my newsletters, you can sign up HERE.)
We spent some time working with color aid paper. Anne was working with warm and cool contrast in this example. Paper is a good way to look at color interaction quickly. It is also a good way to start training your eye to see different aspects of color BEFORE you spend a year weaving a tapestry.
This value exercise that Beth did was one of my favorites. When we converted this to black and white, those bars almost all disappeared--the orange-red being the difficult color for everyone in the class.
One student with macular degeneration had this great idea to help her visually with her warps. She colored every other warp with a Sharpie, but you could certainly warp the loom with two colors of warp. Bockens makes cotton seine twine at least in the 12/6 size in many colors. This particular student gave me a fabulous idea for a little book the last time I taught at MLH, so probably I should try to spend more time with her. Her ideas are excellent. (The book is still in process, but it will show up one day before too long.) This loom is a Leclerc Penelope, thus the rigid-heddle-like shedding at the top.
And of course the tulips are long gone, but Holland is now sporting some roses.
 |
| A crane!!! |
Soon I am going to go to my studio and do something I haven't had a chance to do in many weeks. Weave! ...just as soon as I send today's newsletter.
(pssst... if you'd like to get my newsletters, you can sign up HERE.)