Tapestry Weaving

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A new tapestry yarn! Made in the USA.

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A new tapestry yarn! Made in the USA.

GIST Yarn is a wonderful small company based in Boston. Started by the brilliant Sarah Resnick, it is a yarn and weaving company that values materials sourced in the United States. Sarah and her team are committed to supporting local agriculture, mills, and dye houses and their weaving yarns are gorgeous.

I have admired Sarah’s business for many years now and was thrilled when she asked me about a new project she was thinking about, a tapestry yarn made from US wool in a US mill.

If you’re a tapestry weaving, you know that there aren’t all that many yarns that come in a wide range of colors that include gradations. This holy grail of tapestry coloring, having light, medium, and dark versions of the same hue, only exists in a few yarn lines and none of them currently are made in the USA.

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My travel weaving kit: Have loom, will travel

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My travel weaving kit: Have loom, will travel

I’ve done a few different posts over the years about my summer travel fiber kit. This year I’m taking it on a long backpacking trip so it has to be especially streamlined and lightweight. I’ll be hiking the Colorado Trail this summer for about 5 weeks. At least I hope so. You never know whether a long trail will actually happen end to end. So many things can take you off trail from injury to illness to weather. But I’m going to give it a try.

I’ve given myself a 6 ounce weight limit for this fiber kit with an additional few ounces for a drawing/journaling kit. So half a pound total for my entertainment on trail (plus I bring Kindle books on my phone which I need for camera and back-up navigation).*

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Change the Shed: Handbasket cut-off!

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Change the Shed: Handbasket cut-off!

In this week’s episode of Change the Shed, I cut off the Handbasket tapestry. I am reasonably pleased with this tapestry in large part because it was so much fun to weave! I wove much of it on Change the Shed over the last 9 months. Those of you who follow that program have seen it grow, experienced the decisions I made moment to moment, and in the live event yesterday, heard me talk about the things I might do differently as well as what I liked about it.

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Jilly Edwards: Yellows and Pinks

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Jilly Edwards: Yellows and Pinks

Jilly Edwards is an artist working in woven tapestry from the UK. She currently maintains a studio in Bristol. I was able to interview her for my online course, Design Solutions for the Artist/Weaver, Season 2 this spring. Jilly is an inspiring artist who is keen to share her knowledge and work with the rest of the tapestry world. I spoke with her for several hours and as always when I write or talk to Jilly, I felt like I’d just had a heart to heart with the dearest of friends.

Avoiding draw-in: keeping your selvedges straight(er)

Avoiding draw-in: keeping your selvedges straight(er)

A very common struggle among newer tapestry weavers is to keep the weaving square. This is all about weft tension or how much weft is going into your tapestry at any one time. Too much weft and the piece will get wider, too little and it’ll get narrower. I find that most students have more trouble with the tapestry getting narrower as they work. The changes can be subtle! It is easy to weave a whole piece not realizing that over the course of it you’ve drawn in a half an inch or more. The only fool-proof way I’ve found to make sure this isn’t happening is to make myself measure the width of the tapestry frequently.

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Questions from The Book: The fun of pick and pick

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Questions from The Book: The fun of pick and pick

In my continuing series, Questions From The Book, I’m answering questions that come from readers of my newest book, The Art of Tapestry Weaving.

I have spent some time playing with a tapestry technique called pick and pick lately. This technique is a powerful one in the tapestry toolbox because it allows stripes to climb up the warp.

Weaving is the creation of cloth on a gridded structure created by the warp and weft. In tapestry, making horizontal lines in the direction of the weft traveling from side to side across the warp is easy. Making lines that travel in the same direction of the warp is more difficult.* Pick and pick is a fun technique because we get to play with creating forms and color effects in the warp-wise direction.

The video below demonstrates weaving pick and pick and I give a few tips for making things work out neatly and for catching mistakes. The two Change the Shed episodes I refer to in the video are HERE and HERE.

Thirteen years: It's a teenager!

Thirteen years: It's a teenager!

Tuesday was my blog-o-versary of thirteen years. Though it seems like a silly thing to celebrate, the blog was the start of where I am today. It was a wild idea I had one day and a free Blogger blog became a way to test ideas about tapestry weaving. The very first post was about a tapestry called This Time I Dance which was purchased by my partner’s ex. You never know where you’ll find a customer!

But dance I have, ever since. The blog has become a place to explore writing about tapestry weaving and a few other whacky ideas mostly having to do with fiber, though there are some live skunks and knitted chickens in there. As I started teaching tapestry weaving, it became a way to communicate with students about things I was teaching but also about things I was learning. The journey never ends and perhaps the blog never will either.