Tapestry Weaving

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Weaving from the colors around me: the Mirrix Challenge 2022

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Weaving from the colors around me: the Mirrix Challenge 2022

This week I am leading the Mirrix Summer Weaving Challenge. You can find my challenge on Mirrix’s website HERE. Those of you who have taken my Summer of Tapestry course probably recognize this challenge because I used a similar idea as the beginning of that class.

In the Mirrix challenge, I encouraged you to go for a wander somewhere and to take some time to enjoy really looking at what is around you. When you find something that grabs your attention, focus on the colors of that object or place. You can see the rest of the suggested instructions in the challenge write-up.

I wanted to weave another tapestry for my own challenge response beyond the one I show as an example. This month I was able to go camping with my family for several days in southern Colorado. It had been raining a lot and there were mushrooms growing everywhere. It seemed like every day there were new ones we hadn’t seen before. My nieces are budding mycologists and they took us on mushroom hunts where we identified many of the mushrooms we found.

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Summer of Tapestry. Let's take a good wander.

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Summer of Tapestry. Let's take a good wander.

I can pinpoint the moment when I started my practice of sketch tapestry. I had just driven 70 miles from my childhood home in Gallup, NM to Petrified Forest National Park in early November of 2016 through a driving rainstorm. It was the kind of rain that the desert longs for. The rain that fills the arroyos to gushing almost instantly. The rain that makes the desert smell like sage and wet sand.

I arrived at the national park to start my artist residency just as the sun came out. As I was taking my looms and yarn out of my car and settling into the casita I would live in for the month, a rainbow appeared over the painted desert just outside.

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Warping for various setts on a peg loom with this one simple trick (plus a discount code!)

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Warping for various setts on a peg loom with this one simple trick (plus a discount code!)

Schacht Spindle Company has a selection of tapestry looms that I use. Their peg looms are sturdy and easy to find in the USA and in some places around the world. While I love their new Arras tapestry loom (reviewed here), their peg looms are great for travel or for small projects at home. These looms include the Schacht Lilli Loom, Easel Weaver Loom, and School Loom. The pegs used on these three looms are all the same and the sett is about 5.5 ends per inch. Most of us don’t want to weave at 5.5 ends per inch when weaving small things because we want more detail, so how do you warp these looms to get closer setts?

Arriving in Iceland

Arriving in Iceland

The Textile Center in Blonduos, Iceland has an artist residency for fiber artists. I have wanted to make my own trip here since my colleague Cornelia Theimer Gardella started coming here for residencies in 2015. I wasn’t sure the residency would happen until not long before we left because of covid, but I am now in Iceland. I’m currently watching the ice float by on the river Blanda and contemplating some designs to turn Icelandic fleece into small tapestries.

I flew into Reykjavik of course and had a couple days in the city before getting a bus north about 150 miles to Blonduos. Reykjavik feels walkable and fairly small though I realize this is just because they have a defined city center and there are extensive suburbs. I enjoyed walking the path along the harbor and watching the Esja massif across the water in the changing light.

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Shed Stick UPDATE! More options for your small-loom tapestry weaving

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Shed Stick UPDATE! More options for your small-loom tapestry weaving

I wrote a post a couple months ago about using shed sticks which included the few options that I could find readily available. Since then I’ve had several updates to the shed stick situation and I now have a healthy list of great options. I am quite sure there are more great tools out there. Here I was focusing on makers who have their work in stock all the time or at least with good consistency.* These are all US makers, but there are woodworkers all over the world and I am sure there are small tool makers in your neighborhood also if you do not live in the US.

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Archie Brennan: Tapestry as Modern Art

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Archie Brennan: Tapestry as Modern Art

This new book about Archie Brennan (1931-2019) and his life as a tapestry weaver is a wonderful mix of Archie’s voice and art, images of his work, and thoughts of his friends and colleagues. I heard rumors this book was happening many years ago and have been hoping they were true for a long time. I have not been disappointed. This book has far exceeded my expectations. Brenda Osborn has taken what has to be a rich collection of Archie’s spoken and written words and created a wonderful picture of an artist who had a huge influence on the trajectory of a very old art form, tapestry weaving. The book is by Archie Brennan, but the second author, noted as “with Brenda Osborn” deserves a standing ovation for her crafting of this masterpiece.

Weft bundling tricks and tools

Weft bundling tricks and tools

Color use in tapestry weaving is an unending source of exploration. When you’re first starting out you’ll probably use one solid color at a time. But the world of color can be vastly expanded by mixing weft colors in a bundle.

Most tapestry yarns are thin enough that you can use several strands at once. This practice is called weft bundling and is of great benefit if you want to mix colors. The video below talks about various aspects of weft bundling including:

  • how to match up multiple strands of weft

  • why you might want to use a weft bundle

  • possible tools to carry your weft bundle including some you may not have considered