Tapestry Weaving

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Retreating to the mountains for sketch tapestry... with 11 new friends

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Retreating to the mountains for sketch tapestry... with 11 new friends

I spent last week at one of my favorite places. I haven’t been to Colorado State University’s Mountain Campus since 2019 due to Covid. It was high time I went back. I do go hiking in this area outside of Fort Collins fairly often and have seen the campus from trails above many times since 2020. It felt great to move back into a cabin and teach in the lodge.

The campus is largely used by environmental and forestry students for summer study. They also have a small conference center where I hold tapestry retreats. The property is at 9,000 feet elevation surrounded by high peaks of the Mummy Range and is just a few miles as the trail goes from the border of Rocky Mountain National Park. I love spending part of each of my teaching day wandering the trails, watching moose, birds, and other creatures in the forest and river, and seeing the stars at night.

This year’s retreat was about sketch tapestry. We wove small tapestries based on things we were either experiencing on campus or some students worked from images of other places they brought along. There was frequent laughter, many discoveries, and a lot of tapestries were woven.

Sketch tapestry free mini-course!

Sketch tapestry free mini-course!

Summer is coming. I’m sure of it mostly because it is raining and not snowing here in Colorado now. I love taking whatever time I can in the summer and heading to the mountains with my notebook and a loom. I’ve been talking about my practice of sketch tapestry on this blog for many years now. I make small tapestries about something I’ve seen or experience. I find that the practice of really looking at something and then weaving about it makes me pay attention instead of just rushing blindly through life. The inspirations I’ve woven something about are things that I remember months and years later.

Get the free mini-course about sketch tapestry in this blog post!

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Heaven is where yarn is made.

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Heaven is where yarn is made.

I taught at Harrisville Designs last week and had a wonderful time. I wrote more about it on the blog this week (link in bio). I haven't taught that much since my book came out in late 2020 due to Covid and it is really fun to see a copy on all the student's tables as well as all over the @harrisvilledesigns retail shop.

The workshop was called Learning to See Like a Tapestry Weaver. It was a techniques class where we looked at applying the techniques we were practicing to our weaving. Of course we could have used another few weeks and perhaps in the future I’ll pick just one technique to focus on for a bit.

Fixing Shedding problems in tapestry weaving

Fixing Shedding problems in tapestry weaving

How many times as a newer tapestry weaver have you felt frustrated because you’re weaving along and suddenly your wefts are in the wrong shed?

Wait, what is a shed anyway?

How many of us who have been weaving tapestry a long time remember those days when every time we added or subtracted a weft in our design our sheds were wrong? Or we are trying to fill in a dip between two forms or add a new color into a pattern and there were either lice or the wefts just wouldn’t go where we wanted them to go?

We have ALL been there.

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In celebration of Woven Color

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In celebration of Woven Color

I’ve found myself doing some lectures for weaving groups again recently and so I’ve been talking about my teacher, James Koehler again. I was his apprentice and I do like to talk about this model of learning.

James passed away unexpectedly on March 4, 2011. I often do put up a blog post on the anniversary of his death to celebrate his life and especially his work as a tapestry artist. James was a devoted teacher and I think he would want to know that his book, Woven Color, has inspired people to weave tapestry or at least to think about how an artist comes to that profession and where their work comes from.

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No more floppy selvedges! This is the knot to use.

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No more floppy selvedges! This is the knot to use.

There are only a few things that I’d say regularly frustrate new tapestry weavers and one of them is the final knot on the warping bar of a continuously warped tapestry loom. If that last knot doesn’t hold tightly, then your edge selvedge will be loose which affects your weaving. Using a double half-hitch knot allows you to adjust the tension on that last warp with a knot that will hold.

Continuous warping

What does that mean? A continuous warp is one which wraps around the outside of a tensioned frame loom. Some common examples of this type of loom are the Schacht Arras and most Mirrix looms. These looms use a warping bar. The bar gives you a place to tie the beginning and ending warp securely as well as a rigid structure to help you turn the tapestry around the loom without distorting it. This type of loom can produce a tapestry that is longer than the loom is high.

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Tapestry weaving on a budget

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Tapestry weaving on a budget

Historically tapestry weaving was a trade. In the middle ages (and even through present times), weavers were skilled technicians weaving large designs created usually by painters. Today tapestry weaving has become an art form that is often practiced at smaller scales by people who are designing and weaving their own work.

Tapestry has a wealthy past as patrons funded the workshops that wove those large tapestries for their castles and country homes. Today tapestry weaving can be for everyone.

It is true that purchasing equipment and materials for any new art form can be pricey. There are many tapestry looms for sale that for many people are just too expensive to consider. And tapestry yarns can also feel out of reach when you have to purchase large amounts in many colors. But there are less expensive ways to find the materials and equipment needed.