Gold Hill and Boogers...

This morning I awoke (to a 77.6 pound dog jumping on my legs) at 8am and happily finished my most recent tapestry.  All I had to do was decide on a name, (which isn’t usually difficult but I wasn’t channeling Anni Albers today) but I did eventually come up with something acceptable, make a tag for it (which took 3 tries as I managed to fuse the first two to the towel I was using for an ironing board because BOTH ironing boards in my studio are covered with tapestry yarn), and deliver the tapestry to the gallery.  When I was done with this (and the gallery did seem pleased with 

it), I took that 77.6 pound Labrador retriever on a hike from the Taos Ski Valley… Gold Hill is my favorite TSV hike, but be forewarned if you go, every single hike from that valley with the exception of Williams Lake (which, admit it, is for tourists from the flat lands) is straight up.  Whoever built those trails did NOT believe in switchbacks.

And I must say that I kicked some hiking hiney!  9 miles, 3,000+ feet elevation gain, 5 hours… and that included the chatting time with the 70+ year old couple who were BACPACKING (!!!) and the 30-something hunter from Ohio who was sucking wind at 12,000 feet trying to get high enough to make a cell phone call to his hunting buddy who was supposed to meet him on the back side of the moon.  I realized on my way up that I was doing great… and that finally I must be in shape for backpacking season, what with the 2-3 mile walks up the mesa every day and hiking every weekend to some high-altitude destination.  Unfortunately it is now October and pretty soon the winter sloth will set in and all that sweat will be wasted on eating GF pizza (which, alas, I will have to make myself) and reading books.

 

It was a beautiful day.  I set out hoping to see the colors changing, but the high-altitude colors have done their thing… and there were a lot of sad little yellow aspen leaves on the trail.  The higher I got the windier it got until I left treeline behind and thought I was going to be blown off the ridge.  I crawled on my hands and knees to the edge of the ridge to get a look at 

Goose Lake, afraid I was going to get blown to Kansas.  The horse-riding hunter I saw 15 seconds later probably thought I was insane.  Seriously the wind was about 47 million knots—and no, I don’t know how fast a knot is although I did sail as a child… I never was good at conversions.  Still I have to ask my German friend Conni how much a Euro is every time we talk about any currency that isn’t the dollar.  Hopefully she takes pity on me and doesn’t reveal this particular intellectual flaw to her fellow citizens when I visit her lovely country next year for our Bauhaus show.

Anyway, the wind was so fierce up there that I had to first dig out the fleece hat I always have in my pack… then realized because of the over-sized craniums that Mezoffs are blessed with (which doesn't really seem to say anything about how smart we are), this particular hat doesn’t really cover my ears very well.  So I was forced to tie the bandana that I had just used for a snot rag over my head.  It was that or be deafened by the wind and probably suffer frostbite to my lovely ear lobes.  The thought of turning back never crossed my mind.  I’m a stubborn hiker babe after all and sometimes sacrifices in the realm of personal hygiene have to be made. But, alas, my nose was still running and so I was forced to practice the farmer nose blow.  I’ve never been able to do this and today was no exception.  I’m afraid my clothing came back smattered with mucus.  (I’ll wash it Mom.)  While at the top where the wind chill must have been hovering around freezing, I found globules of ice in the stone wind shelter.  I’m guessing these are the frozen boogers of the last hiker up there who undoubtedly had to use her snot rag to cover her ears also.

Gold Hill is 12,711 feet high. At the top I tried to send a text message to my girlfriend feeling for all the world like I was on the top of Everest radioing the world that I was still alive.  The wind messed up the signal, and the message, sent back in the Taos Ski Valley parking lot, lost a lot of its zing.  Tomorrow, when I’m back at my loom, my hiking hiney is going to be mighty sore!  

Weaving note:  Last night was Rachel Brown’s retrospective at Weaving Southwest.  It was so packed with people I couldn’t see the art and had to go back today to spend some time with it.  If you’re in Taos this month, stop by Weaving Southwest and see the show.  These pieces are owned by collectors and won’t be shown again any time soon.  Rachel is an inspiration.

Community Gallery Opening

Well, a turn of events yesterday kept me off the loom for the rest of the day.  But I did get a piece in a show in Santa Fe as a result, so I guess that is good.

Go see the show if you're in Santa Fe:

It is called Hard and Soft: Works from New Mexico Ceramic and Fiber Studios.  It is in the Community Gallery which is on W. Marcy street at Sheridan.  The opening is from 5 to 7 tonight.  There are some great pieces in there!  

I know that there are some great pieces in there because I got a sneak peak last night at 3:59 after I arrived breathless and disheveled in the rain clutching my little piece in a plastic garbage bag praying the fabulous director of the gallery had not left at 3:59 instead of 4.

See, I made a little boo boo with this show.  I'm trying not to feel too stupid about it, but really I should have made some entries in my day planner about this event... in which case none of this would have happened.  I failed to write down the day that the work was due in the gallery--which incidentally was actually August 29th NOT September 17th.  But the fabulous Rod Lambert, and I quote him saying, "I work with artists, I know about you guys," allowed me to rush my fool head down there and bring him the work for his last remaining space just in time for the opening today.

As I was running through the rain (I forgot when I told him I could get from Velarde to downtown SF in 45 minutes that not only is there the mother of all construction projects in Espanola, but that I would have to find parking in downtown Santa Fe in order to deliver the piece.   Fortunately for the parking it was raining... and I found a spot a few blocks away--even had quarters in my pocket for the meter!)... a man who may or may not have been homeless tried to engage me in conversation.  Being a kindly person, I usually do talk to homeless people... after all, one of my favorite patients at the county hospital in Reno, NV was a schizophrenic homeless man who's girlfriend (also homeless) brought me a little plastic tree with round decorations on it from the dollar store... best present ever from a patient.  They (the homeless people especially when schizophrenic) have an interesting take on the world sometimes--sometimes they need mental health assistance.  Anyway, this man was polite but after a few seconds, I found myself gasping, "I'm LATE!" and running on, stepping squarely in a large puddle and soaking my leg as I ran down the block toward the gallery hoping Rod had not left me standing on the sidewalk dripping wet clutching my little tapestry wishing I was inside with it hanging next to the tag that had my name on it...  Fortunately Rod, in my brief association with him, proved to be an incredibly helpful and kind individual who did a bang-up job hanging this show!  (And did not leave me dripping on the sidewalk.)

Anyway, it looks to be a great show!  There is some awesome fiber work including a fabulous piece by Julie Wagner, a beautiful weaving by Irene Smith, and some mixed media fiber by 

Kathleen Vanderbrook.  The pottery also looked great in my hurried survey of the gallery--sorry potters, I was focusing on the fiber.  I have a little piece in it called The Space Before Knowing that I wove in 2007.  The show specified pieces that were in the 2 foot square size range, and as everything I've done recently is much larger than this, this little piece got to go to Santa Fe all by itself.  Plus then I got to go and visit the new Collected Works bookstore... that was awesome too.

Go see the show!  It looks great.  I think it will be hanging through the end of December, 2009.

Finally back on the loom...

I hate to admit it, but although my grandfather's loom came to me last January, and it has been in my studio put together for months, I have not yet woven anything on it.  I did a small piece on the Macomber (also from my grandfather) --that seemed familiar and safe-- but the Harrisville seemed like a large countermarche beast that needed taming before I could weave on it.  Turns out she is a gentle giant and so far I love her!

I could site endless excuses why my actual weaving in my own studio hasn't so much, well, happened in the last 8 months, but the truth is that life got in the way.  A shift in perspective is called for--weaving is necessary to my soul.  Making art and spending quiet time in my studio is of utmost importance.  Resistance is a creeping, insidious presence that will use any excuse to draw me away from the loom (oh, you're hungry?  Why not drive 10 miles to town to get a Sonic shake?  you have a hang nail on your pinky toe?  that might take several hours to remedy... etc.)

Back to the Harrisville Rug Loom:  For those of you who aren't familiar with this loom, it has a warp tensioning rod on the back that lowers as you weave so the back beam doesn't have to turn at all as long as your piece is less than about 8 feet long.  This feature I love.  It should make the warp tension fabulous... and so far it is!  My only complaint is the lack of locking treadles.  I know this loom was not designed for weaving tapestry, but locking treadles would sure make tapestry easier!  It is a high loom and I could probably rig it to stand and weave if it had locking treadles.

Anyway, I've started a couple quicker pieces for Weaving Southwest while thinking about a more complicated project for my shows next year.

Upcoming shows:

Speaking of which, I have two group shows scheduled in 2010.  The project is called Interwoven Traditions: New Mexico and Bauhaus.  I am working with James Koehler and Cornelia Theimer Gardella in a study of Bauhaus art theory and how we have used this theory in our work as tapestry artists both in Germany (Cornelia is a German citizen) and here in New Mexico.

The first show is in conjunction with Convergence 2010 which is in Albuquerque, NM in July. It will be at the Open Spaces Gallery in July and August 2010.

In September and October 2010 it will be at St. Michael's Church in Erfurt, Germany.  More details to come!

There is nothing so comforting as an old yellow lab sleeping in the sun next to your loom...

Art as a practice

I just saw the movie Julie and Julia.  I enjoyed it.  In case you haven't seen it, the premise is that a young writer named Julie Powell is working her way through all the recipes in Julia Child's French cookbook in a year and blogging about it (no, I haven't missed the irony that watching a movie about a blog got me blogging--something I haven't done in a month it seems).

My questions as I left the theater were simply these:

Can weaving be a practice that is done daily like Julie's project?  and what is the value in that?

Is a project like this a good way to learn focus?  Focus seems like a necessary ability for a tapestry weaver or nothing is produced.

How is it that I haven't woven anything since Emergence came off the loom in June?  How does life slip away like that?  We only have this one short and precious life.  To let the days slip by unnoticed is not the way I want to live it.

Tommye Scanlin is weaving a calendar tapestry--one block for every day in 2009.  This idea is perhaps starting to get at my nascent thoughts about focus and having a project that moves you along one day at at a time.  And her calendar tapestry is really interesting!

And there are more thoughts about art as a spiritual practice.  What else can it really be anyway?  Most of us aren't going to make a living off of it, and so I think we have to do it because it is what we love and making art is what helps us see our own soul.

Editor's note (okay, I don't have an editor, it's just me):  I wrote this post on the date you see but am just "finishing" it today... hmmm, lack of focus?  Too much going on?  I have finished a piece since this post.  Yeah!  Ready for another one.

A good day

Today is a good day.  First, my friend Sue gave me a dozen guinea eggs.  They are beautiful and I can eat them.  Second, I'm going to eat leftover spring rolls for dinner that my girlfriend made me when she visited last week... they're good and I continue to be impressed that she could make food like this which seems difficult to me, the culinary-impaired one.  

And third, I got a call from Weaving Southwest today saying that they sold one of my pieces.  The piece was called This Time I Dance (it was the second one in the series)... a piece I wove when thinking about how important weaving was to me and was starting to find some determination toward dancing my way through life instead of slogging through it and wishing I could be doing something I loved every day.  It was bought by a dancer.   I hope she loves it and remembers to keep dancing.  First piece ever sold in a gallery...  I'm kinda thrilled.

Galleries and other anomalies of the space-time continuum...

When I was a wee one (actually probably only 10 years ago, but it seems like I was a kid then even though I wasn't), I admired the tapestries in Weaving Southwest--a contemporary tapestry gallery in Taos, NM.  I first saw the work of James Koehler, Rebecca Bluestone, Rachel Brown, and Karen Benjamin there.  I hoped one day I would have pieces hanging in that gallery.  TODAY is that day!  Yesterday I brought the new gallery manager Teresa Loveless (Rachel's granddaughter) my weaving and she hung one of the pieces on the wall right then and there.  Seems kind of wild to me.

Intermountain Weavers Conference

I have just returned from a great weekend at the Intermountain Weaver's Conference in Durango, CO.  First of all you have to realize that I love Durango, so pretty much no matter what went down at the conference, I would have had a good time just looking at the La Platas and browsing Maria's Bookshop (yes, I did have to apply a credit card to be released from the store).  But there was so many more great things about the weekend!  For example, Emily came with me which really was an unexpected and fantastic addition to my time there--and not just because she bought me gluten free pizza!  We stayed in the dorm--flashbacks to Kohler Hall at Lawrence University... cement block walls and gross carpet.  We shared a bathroom with the unestimable Margo who was a vendor and very happy to let me take a shower just a few moments before I dashed off to class in the morning.  Turns out she is also allergic to wool.  Doing conferences with tapestry weavers must be tough!

Fort Lewis College (site of the conference) was doing construction on the student center... Imagine the fiber art installation you could do from this crane!  I had convinced my instructor that using my grandmother's 28 inch Macomber floor loom was a good idea... as I watched the rest of my class slide their pipe and Mirrix looms into canvas bags and jaunt off down the sidewalk, I glanced wistfully at the crane and then, with a little help from a kind weavers husband in the parking lot, hefted it back into the car.  

It is still in the car in fact.  I'm hoping Cassy will lift it out for me and bring it down the non-existent sidewalk into the house where I will glance occasionally at the sampler gathering dust on the loom thinking that I should practice a few more things on it... until one day I just cut the thing off--likely the day before putting a warp on the loom for the next workshop.

  I entered the Intermountain Creations show with the piece I just finished, Emergence.  Here it is hanging in the gallery. This show turned out really well--and many kudos to the women who worked non-stop to hang the show on Thursday and Friday and then tore it down again on Sunday.  It was beautiful!  My piece won a 2nd place People's Choice award.  Thanks you all!

I also entered Fiber Celebrated 2009 which was a juried show.  Two of my pieces were in the show: Contemplative Garden and Inscription.  Here they are hanging in the Center of Southwest Studies (far left is Contemplative Garden and far right is Inscription).  

The gallery and show looked fabulous... 

The reception for this show was Friday evening.  I managed to win an award for best use of color for Contemplative Garden.  I was so excited I forgot to avail myself of the catered reception which apparently included wine! ... and grateful that due to the press of people in the gallery and the lack of any microphone or stage, no one could really see or hear me.  I'm not even sure I remembered to shake the juror's hand (Emmie Seaman).

Here I am with Contemplative Garden in the gallery.  I felt like a rock star after this reception--people kept telling me how much the liked my piece.  You know, that is kind of fun!  I promise I won't let it go to my head. 

 I am afraid I am going to have to start weaving more though!  If you can't find me, I'm in my studio buried in papers hoping a great design will come out of the mess.

The class I took was Color and Tapestry and was taught by Kathe Todd-Hooker.  Kathe did a great job with organization and with managing a class that contained just a few too many beginner tapestry weavers.

Lyn Hart was in the class--so great to finally meet you Lyn, as well as your posse (Jane and Susan).  Also great to laugh with the three of you.  I'm changing the contents of my coffee mug at evening events from now on.

Lyn won the Fiber Celebrated People's Choice award for her piece Canyon Night.  Sorry for this horrible photo Lyn, but you can undoubtedly go to her blog and find a better photo.  The award was well deserved!

Photos of the class working.  Mine is the only floor loom there.  Floor looms ARE good for tapestry!  They're just a lot harder to carry around.  The crazy among us shall remain nameless.