Tapestry Weaving
Rebecca Mezoff
Testing out the Duet tapestry beater from ...

It is no secret that I love my tapestry forks/beaters with metal tines. Many people make them with dog combs. The metal tines slide through the warp easily and if the handles are shaped well, they provide a nice snap for work on tapestries large or small.

Over the years I’ve purchased many tapestry forks from Magpie Woodworks, Thomas Creations (Threads Thru Time), and Timber and Twine. These are beautiful hand-crafted tools and every tapestry weaver should have at least one of these in their toolbox.

But I have had so many students who were unable to get one of these forks or had to wait many months just because when a tool is hand-made one at a time, it takes a long time to produce them and more people want them than can get them.

Testing out the Duet tapestry beater from Schacht

Thirteen years: It's a teenager!

Thirteen years: It's a teenager!

Tuesday was my blog-o-versary of thirteen years. Though it seems like a silly thing to celebrate, the blog was the start of where I am today. It was a wild idea I had one day and a free Blogger blog became a way to test ideas about tapestry weaving. The very first post was about a tapestry called This Time I Dance which was purchased by my partner’s ex. You never know where you’ll find a customer!

But dance I have, ever since. The blog has become a place to explore writing about tapestry weaving and a few other whacky ideas mostly having to do with fiber, though there are some live skunks and knitted chickens in there. As I started teaching tapestry weaving, it became a way to communicate with students about things I was teaching but also about things I was learning. The journey never ends and perhaps the blog never will either.

The Long Thread: stories about fiber, 45 years running

The Long Thread: stories about fiber, 45 years running

How many of us weavers grew up with Interweave? Perhaps someone else has written or will write the history of Linda Ligon’s company which she started in Loveland, Colorado in 1975. The first magazine she produced was called Interweave. Eventually that magazine became Handwoven and Interweave became the name of the company. Linda sold the company in 2005. It was sold again to F+W Media and they declared bankruptcy in 2019. Linda, along with Anne Merrow and John Bolton, formed a new company in 2019 and are now the publishers of three of the most beloved magazines, Handwoven, Spin Off, and PieceWork.*

The company, Long Thread Media, has added new components to this fiber-centered business that we have loved for so long. One of those things is a podcast. Now in Season 2, I was thrilled to be interviewed by Anne for the April 9, 2021 episode.

Fixing a toilet or learning tapestry...

Fixing a toilet or learning tapestry...

YouTube is what I’m talking about. Those of us who grew up before the internet existed, do marvel at the miracle of this technology. The first personal computers came around while I was in junior high but the world wide web as we know it didn’t exist in any useable fashion until I was out of college. I wrote my masters thesis using sticky notes and index cards though I used a computer for word processing.

Shortly thereafter, the world changed. And now we can teach ourselves how to fix a leaky toilet by watching YouTube videos. I love this aspect of the internet, though a plumber might prefer I couldn’t replace my toilet innards myself.*

One year of Change the Shed

One year of Change the Shed

I started Change the Shed just over a year ago. Yesterday was the 55th episode. I started broadcasting from my studio when the COVID-19 lockdown first happened in Colorado thinking it would only last a few months. I know I didn’t think it would last very long because when I started, I did it every day. That wasn’t sustainable as we moved into months and now a year of dealing with this global pandemic. I am now doing it about twice a month on Wednesdays.

We’re all weary of this pandemic. But there is hope. There are vaccines that are working and more and more people are getting them. Frankly, hope helps.

I have enjoyed the challenge of weaving on camera. Actually, I should say that I have enjoyed the challenge of making mistakes on camera. The teacher in me feels this is valuable. The artist cringes every time it happens.

Which online tapestry course is right for me?

Which online tapestry course is right for me?

The number of online courses I offer has expanded in recent years and it can be hard to know which one might be the best for you to start with. There are descriptions for each of these courses on my website including trailer videos, just follow the links. Below is a list of the courses I’m currently offering and then a few tips on how to choose.

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Questions from The Art of Tapestry Weaving: Choosing weft yarn

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Questions from The Art of Tapestry Weaving: Choosing weft yarn

My book, The Art of Tapestry Weaving, is a tapestry techniques book. Published in November of 2020, I wrote it for my students and for anyone interested in tapestry weaving. I wanted to write a book that would become the reference that is always beside your loom. The book is quite comprehensive and I believe will be a great resource for beginners and more experienced practitioners alike.

There are always things that there isn’t room for in a book, even one that is 300 pages long, so I’m devoting some blog time to addressing frequent questions from readers of the book. I probably get the most questions from beginners about yarn. The video below was one that I did during launch week of the book in November and I think many people missed it because it was part of the launch.

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The time-saving magic of a few simple records (and the yarn I don't remember dyeing)

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The time-saving magic of a few simple records (and the yarn I don't remember dyeing)

I’ve been working on a design for a new large format tapestry. At this point I’m still calling it the “rock piece” and it is fortunate that I have been using that term in my notes in various places for years because that consistency allowed me to unravel a little mystery last weekend. I’m pretty set on the cartoon for this piece and have even enlarged it full scale as I consider final color selections and potential ways to realize this idea. Seeing it full scale allows me to really see what the forms will be like when woven and gives me another opportunity to play with the design if I want to change it. Most of my decisions will have been made by the time I start weaving.