Every year I run a class I call Summer of Tapestry. It revolves around a practice I’ve had for many years of bringing a small loom with me when I’m hiking or traveling and weaving something about what I experienced or saw. I call the practice sketch tapestry because my goal is to capture something interesting about the experience, not to replicate what I saw in a realistic way.
I find that the practice of really looking at something and then weaving about it makes me pay attention instead of just rushing blindly through the experience and more generally, my life. The inspirations I’ve woven something about are things that I remember months and years later.
After teaching a retreat in Taos a few weeks ago I was able to go home to Gallup for Thanksgiving. I love returning home to the brilliant sunshine and the mesas and red rocks of my western New Mexico home town. I did some walking on the desert, a little weaving on a project I can’t show you yet, and had fun relaxing with my family. Below are a few snapshots of my southwestern wander.
On Fyber Monday, November 28th, 2022, all of my online courses are on sale. This happens just once a year.
The Monday after Thanksgiving weekend in the USA has been deemed “Cyber Monday.” It is a day for businesses to sell digital products. Though I care not for holiday hype, I do want to offer at least one opportunity during the holidays for people to purchase my online courses at a discount.
I have dubbed this day “Fyber Monday.” All of my online courses are on sale. And yes, you can purchase more than one! Treat yourself, or give a gift. Gift certificates for all of my courses can be found in my shop HERE with discount included.
I have courses for beginner and intermediate weavers in technique, a course about four-selvedge warping that features the marvelous Sarah C. Swett, a course teaching you to dye your own yarn, and a couple design courses.
I’m teaching in Taos this week at the Mabel Dodge Luhan House. This is a group of alumni to my retreats and most have been to Taos before. We have become a great group of friends over the years and it is a marvelous way to share about tapestry weaving, coming together in a beautiful and quiet setting. There is a fire going in the house at all times, the food is beyond marvelous, and the thick adobe walls ensure quiet rest.
THE LIFE OF A FIBER ARTS TEACHER
As most of us return to teaching workshops in person, I’ve seen several musings on some of my colleagues’ blogs about their feelings and experiences of going back to teaching post-covid, not that I believe we are actually “post-covid”! I have been reticent to return to classrooms full of people due to health concerns, but this October the covid numbers were low, I was able to get the omicron booster, and it was time to face my fears and return to the classroom.
It turned out beautifully. Spin Off Autumn Retreat (SOAR) was a wonderful conference. I wrote about it last week including a run-in with a 12-foot skeleton and some beautiful fall weather in Wisconsin. This week I’ve been thinking more about returning to teaching in person as I’m preparing to teach a retreat I run myself in Taos, NM.*
Last week I had the joy of teaching at SOAR. That stands for Spin Off Autumn Retreat. This is a small conference that has been running for something like 30 years albeit with a hiatus during one of the times Interweave had been sold to another company. Spin Off magazine is now owned by Longthread Media. One of the co-owners is Linda Ligon who is the person who started Interweave magazine (soon to become Handwoven) in the 70s. Linda was there along with mastermind Anne Merrow and they pulled off a beautiful event (along with Spin Off editor Kate Larson and a fantastic team of organizers).
There might not be anything better than turning a really dirty fleece into a white fluffy cloud of fiber. It never crossed my mind when I became interested in spinning that I’d actually purchase raw fleece. That is until I met Maggie Casey. I learned to spin from her in her shop in Boulder and she loves using fleece so she teaches her students to use fleece as a fiber source. Of course I still learned to spin using roving and top and whatever other commercially prepared fiber is available, but getting your hands into actual fleece sure taught me a lot about the material I weave my tapestries with: wool.
It only takes one time of seeing that pile of often grubby, sticky fiber turn into a fluffy cloud of curls and crimp to get you hooked. Apparently Maggie knew this when she brought fleece to her spinning classes at Shuttles, Spindles, and Skeins.
I took a trip to New Mexico on the spur of the moment last weekend. It is unusual for me to decide to take a trip that involves 6-7 hours of driving each way at the last minute, but the stars aligned, and off we went. We had some friends who we wanted to see who were there visiting from Europe and the first weekend of October is Taos Wool Festival weekend. Yes, I know that this festival left Taos and was held in Santa Fe. I didn’t go to the renamed Mountain and Valley Wool Festival partly in disappointment at it leaving Taos, but also because I was tired of driving and didn’t want to go all the way to Santa Fe when Taos was so beautiful.
Instead, I haunted Taos Wool’s pop-up shop and gallery show. One of the highlights of the weekend for me was hearing Connie Taylor speak about churro sheep, wool, and uses for their fleece. Connie is someone I met in 2005 when I was a student at Northern New Mexico Community College in the fibers department. At that time she had a big flock of churro sheep and was making 14 different colors of natural wool. (That fact still astounds me, but I saw it for myself and know it to be true.) I purchased her wool for my saltillo project. In Taos, she had her shade card with her, pictured below, along with a wide range of natural churro yarns.
