Making

Growing up on the edge of the Navajo Reservation

Growing up on the edge of the Navajo Reservation

In my last post I reviewed Spider Woman’s Children: Navajo Weavers Today, a new book by Lynda Teller Pete and Barbara Teller Ornelas. As part of that post I found myself writing what follows but then felt my own experience was out of place when discussing that beautiful publication. So what follows is some thoughts about my own relationship to Navajo weaving today. You can read the blog post about the book HERE.

I grew up in Gallup, NM. That town on I-40 is perched on the edge of the Navajo Indian Reservation just south of where Lynda and Barbara grew up. Slowly, I came to know a little about Navajo weaving. My parents took us to Hubbell Trading Post National Historic Site whenever we had out-of-town guests they wanted to show around. Inevitably that was followed by a trip to Canyon de Chelly. I understood nothing of tribal/US politics as a child. Nor did I understand much about poverty or the roots of the struggles the Navajo people have experienced at the hands of the federal government.

Sheep keds, belly wool, and how much fleece do you need for a sweater again?

Sheep keds, belly wool, and how much fleece do you need for a sweater again?

I love the Estes Park Wool Festival. To be fair, I haven't been to any other wool festival except Taos, but one thing especially draws me back to Estes every year.

The fleece and fiber judging.

Oh sure, I love the rest of it, but being able to learn so much from the fleece judge is such a treat. This year's judge was Amy Wolf. I suspect she hears a lot of jokes about her name being Wolf, but she definitely knows her sheep! She raises sheep herself, is a shearer, and a handspinner. So she can comment about the producer side of the fleeces as well as what is attractive to handspinners. Her advice about how to prepare and spin different kinds of fleece and deal with problem fleeces was invaluable. And as you may be able to tell from the photo below, she has a great sense of humor as well as a huge desire to help people understand these animals and their fleece.

Today was the white fleece judging.

On sheep street.

On sheep street.

I love learning about sheep and fleece. The heart of the matter is the material. The art I make starts with wool. Wool doesn't come in just merino. It comes in a fantastic variety of characteristics grown by a large number of sheep breeds.**

As tapestry weavers, many of us are used to just purchasing whatever "tapestry yarn" is available and leaving it at that. I think we can and should look a little more closely at the materials we use. After learning the techniques to weave tapestry, it is important to start thinking about how different materials contribute to the final piece of art.

That Sunday night stabby feeling

That Sunday night stabby feeling

For several years I've noticed that Sunday evenings feel a little rough. I get crabby and tend to react more negatively to those I love. I have a general stabby feeling that spinning or weaving doesn't soothe.

Sunday evening comes before Monday and Monday morning can be the rockiest bit of my work week.

Then again, it is really all in my perspective.

The past week presented some challenges, at least one of which was significantly daunting.

Bobbins: a picture dictionary

Bobbins: a picture dictionary

It has come to my attention that the word bobbin in the world of fiber can be confusing. There are a lot of particular products that are called "bobbins". If you're new to the world of fiber, that can be a bit of a stumbling block. 

This post contains photos of the fiber things that are most likely being referred to. You'll be able to make an educated guess if you know whether the speaker is discussing a tapestry, fabric weaving, sewing, or spinning project. All of them are things that hold yarn in some form or another.

A day chasing UFOs (unfinished objects)

A day chasing UFOs (unfinished objects)

At some point I realized that not everyone is like me in how they approach project completion. Astonishingly, there are actually people in the world who start one project at a time and then they finish it before moving onto the next one. Though this seems like an admirable trait when I have four different fiber projects on my studio table, it seems unlikely I will ever be the sort of person who works that way. I always have multiple projects in the works just like I am always reading more than one book and dreaming about more than one future.