Tapestry Show

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The saga of the tapestry postcard

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The saga of the tapestry postcard

The title of my postcard is Waypoints. I’m including photographs here because I don’t think they’re going to make it into the ATA show which is quite disappointing actually… but entirely my fault.

I started this piece forever ago. With the intention of actually finishing it of course. I was planning ahead, sure I’d get it finished and mailed before the end of the summer, determined not to be the last person in the show to mail their card. Partway in I had an idea I liked better for the theme but I was lucky to get this one done, so the new design will have to wait.

I determined, mostly from photographs I took likely with this very blogpost in mind, that my original intention was to finish this piece that is on my biggest copper pipe loom before starting the postcard for the ATA exchange. I do remember looking at this piece, thinking that I didn’t much want to cut it off but neither did I want to finish it (because I still can’t, after a couple years, decide how to do that), so instead I went to the garage and…

"Can we see all of it?"

"Can we see all of it?"

My tapestry, Displaced: Refugee Blanket has been accepted to the Small Tapestry International 6: Beyond the Edge juried show of the American Tapestry Alliance. I wrote about the piece HERE.

I have so appreciated all the kind words about the work I’ve received thus far. It is a difficult subject. It is never easy to face our humanity and the ways that we are culpable in the displacement of people around the globe.

I’ve had an interesting question crop up repeatedly and I wanted to talk about it. Many people have asked me if they can see the “whole” tapestry. They mean that they would like to see the work unfolded and they want to know if the juror saw it unfolded when she made her decision.

Displaced: Refugee Blanket

Displaced: Refugee Blanket

I’m thrilled to tell you that my tapestry, Displaced: Refugee Blanket was accepted to Small Tapestry International 6: Beyond the Edge. This show is the American Tapestry Alliance’s international small-format juried tapestry show. The juror was Jane Kidd, an artist I greatly admire. Getting into the show was a very sweet victory.

And if that wasn’t thrilling enough, a day later I received another email from the co-chair…

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The tapestry work of Barbara Heller

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The tapestry work of Barbara Heller

Barbara’s work has long been some of my favorite work in tapestry. Take a look at some current and past work in the photos below and then check out her website linked at the end of the post. Her work often deals with issues of humanity’s relationship to the environment but her work is extensive and varied and well worth study.

While we were looking at the show, I asked Barbara some about her practice and if she had any advice for younger artists. She said that she had had a teacher early on who told her to weave every day. She replied that often she didn’t know what was next. She didn’t have an idea for a new piece yet, so she was waiting for that to happen. The teacher replied that it didn’t matter. She should weave every day. If she didn’t have a new idea, she should weave her sketches or anything else she could think of. Just weave.

As someone who often finds herself in that place of “I don’t have the next idea worked out,” I found this to be exceptional advice. I think that the practice brings you through the times where you don’t feel an idea bursting out. The weaving itself will result in new experiences and the next piece will come quicker this way.

Barbara took that advice. She weaves every day and her vast body of work is testament to that.

A little bit proud

A little bit proud

I just returned from a trip to St. Louis to see the tapestry show at Webster Arts. Warp and Weft is a show of works in tapestry currently up at Webster Arts. The artists have all been students of mine in some capacity over the last seven years. Some are new to the medium and attended a foundations retreat or online class and some have been weaving for decades and attended an advanced design class or workshop or took my color gradations class online.

The video below shows the gallery, my talk, and a rather jumpy walk-through of the work. (I promise I'll get a tripod with a video head one of these days!)

Folk Art Market fun

Folk Art Market fun

I went to the Santa Fe International Folk Art Market this past weekend. I'd never been* and so this was the year. I had seen the film, Silkies of Madagascar, at the Clothroads film festival and then read the Thrums book, Silk Weavers of Hill Tribe Laos. Both things made me want to see the market where so many artists gather to show their art.

The show opens today! Webster Arts in St. Louis, MO.

The show opens today! Webster Arts in St. Louis, MO.

I’ve been a teacher in some form for most of my professional life, but I’ve only been teaching tapestry for eight years. The growth that has happened in my own knowledge of tapestry practice and in my abilities as a teacher has grown exponentially in that time. I’ve gone from an apprentice to someone who appreciates other artist’s practices, but has confidence in her own and can teach others to follow their own paths.

Fiber artists are creative and every day I see something unique and inspiring from one of my students. Sometimes it is a fully-formed tapestry. But often it is the small seed of an idea that someone is trying out in a sampler. My job is simply to offer a little oxygen and water to that seed and encourage the idea to grow and perhaps become something marvelous. One idea leads to another, and a little chain of successes can lead to a whole body of work which enriches the maker and the world.