My hike was wonderful. I was unable to post to the blog from the trail, so what follows is a little photo record of my walk. I hiked for 9 days and I can tell you with firm certainty that this is my limit for not having a shower. There is only so much a little bottle of Dr. Bronners and freezing cold stream water can do. I came to the trailhead at the only major paved road ten minutes before a hail storm and nine days in and that was it. The second car by was a nice woman with two dogs who, though she did turn on her car vent a couple minutes after I got in, did not complain about my smell. Straight to a hotel through a hailstorm I went. Clean clothes, shower X2, pizza... all was well. Though I got off one day before I intended to, it was the unknown shower wall that demanded it. Nine days is the limit.
Packing it all up.
Once I decided to go hiking and gave up all pretense of finishing an online course and half of a tapestry before I leave, I was able to dig into the planning.
My little spinning/weaving kit is ready. I've made some rolags at home as I can't bring the big hand cards (obviously too heavy). I'll bring this little flick carder which I can use as a lock carder or as a comb and hopefully will even be able to diz off short lengths of fiber. The goal is to weave a few tiny tapestries on the Hokett loom so I don't need long lengths of yarn, just a variety of colors and enough fiber to make me happy with the spinning. I have already spun some base colors on the spindle (the Olympics helped with that) so have some larger bits of yarn that have been washed and balled.
A flick carder and the two-hundred mile walk
Do you ever reach a point where you just feel brittle? I can't think of a better word to describe my current state. I'm a little tired after the summer's teaching trips, but that passes eventually. No, the feeling is more of edginess. Like I'm living a little too close to the top of things--skimming along instead of feeling grounded.
Teaching is something I love dearly. Those of you in my online classes can attest to this. Most of the time I relish the opportunity to explain something a different way or to make a new video to review or provide more information about a concept. I will not give up the teaching. There is something immensely gratifying about interacting with students and I love the online format where I get to do this every day.
Textiles in the hardware store
I headed to the big orange box hardware store on Saturday to purchase the materials for another copper pipe loom. The first one I made using the push-on copper elbows. That meant I made the loom in about 10 minutes, but it also meant that the loom "racked" or twisted all the time. This being immensely frustrating, I wanted to make another and I wanted to solder it.
As I was standing in the check-out of that big orange box store, a gentleman came running up to me and said, "THIS isn't a textile store!" and ran off. I was wearing the pictured T-shirt. However, he is clearly wrong. Archie Brennan says all the time that you can buy looms at the hardware store. They just aren't labeled as such.
Fiber Celebration
I had the privilege of jurying a fiber show in Fort Collins this month. The show was Fiber Celebration, a long-standing show run by the Northern Colorado Weavers Guild. This was the show's 42nd year.
There was a gallery talk on Wednesday along with the awards presentation. This is not a large show and the award list was long. But though it was difficult to choose the awards, it speaks to the dedication of community members and businesses that they continue to donate award money, coupons, and support.
One thing I touched on in my gallery talk was that cloth comes closely on the heels of food in the heirarchy of human needs. Fiber is such a big part of our lives that I think we mostly take it for granted. I think this is at the root of the struggle fiber has had being recognized in the art world. Well, that and the association of fiber with "women’s work".
The first tiny house of Miss Lucy Morgan
One of the first things I noticed my first morning at Penland was a new post and beam structure which was sheltering this truck.
Lucy Morgan was quite a woman. She started Penland School of Crafts with her brother Rufus. Rufus soon bowed out, but Lucy spent her life tending the school. It started innocently enough. She taught local women to weave goods to be sold as a way to support their families. Eventually she found herself running a school that taught much more than weaving.
In the midst of the Depression, there was no money and the students were not coming for classes, so Lucy rounded up the funds to take the below truck and a log cabin building (the first "tiny house"?) all the way to the 1933 Chicago World's Fair to sell the weaving of her Appalachian community. Her weavers wove all winter without pay to make stock for the fair and their gamble paid off. She even got the yarn supplier to give her materials with the promise to pay him back after the fair.
Tiny tapestry landscapes of Penland
After much deliberation, I brought my little pipe loom to Penland where I am teaching a two-week class about color use in tapestry weaving. I debated about trying to weave a large piece on a floor loom, but I'm not the kind of teacher that can really accomplish my own work while teaching a workshop. I need uninterrupted time to make work and teaching is definitely a full-on task.
I usually travel to teach with a Mirrix loom but I wanted to do some four-selvedge experimenting and the thinner bars on the pipe loom work better for this. So the decision was pipes.






