Dead batteries, best practices (7 years in the bathroom), and Ruthie

Dead batteries, best practices (7 years in the bathroom), and Ruthie

Here is a little bit of what has been going on in my world. Most of it is at least tangentially tapestry related.

The Ruthie

While scrolling through Instagram in January, a post popped up of a lovely tapestry loom which I have long admired.* The Crisp Ruthie loom is a high-warp tapestry loom which is no longer made and hasn’t been since perhaps the 1980s. I know a couple tapestry weavers who have one (Joan Griffin and Tommye Scanlin) and love them. So my scrolling stopped when I saw the Ruthie and when I read the post, thought, someone is going to be the lucky new owner of that loom! After reposting to my IG Stories, I had a shocking thought. What if I bought that loom? Certainly it is somewhere far away and who wants to ship something so heavy across the country?

Cameron Peak Fire revisited

Cameron Peak Fire revisited

The Cameron Peak Fire burned 326 square miles near my home in 2020.* It started August 13th and was finally declared controlled in January of 2021. All four of the trails I backpacked prior to August 13th in 2020 burned in the fire as did every other trail near home on my hiking bucket list. The forest is closed in most of the burn area and likely will remain so for a very long time as the dangers to people, the land, and the watershed are many. Regeneration will happen but the fire burned very hot in places and the soil was destroyed. That means things won’t grow back there any time soon and that soil will erode and negatively impact our water supply and the habitat of everything that lives near this zone.

If you followed me during the worst months of the fire, you know how much grief the loss of these places in the form I knew them brought up for me. I wove four small tapestries about the fire and will probably weave more in the series. These are small 3 x 3 inch tapestry diary pieces. All four are woven as if I’m standing in the same place looking at the same mountain in the Rawah Wilderness. But they could represent any of the hundreds of miles of trail that existed in the burn area.

The first two I wove on the same warp. The initial weaving was from an image I took on a hike just north of where the fire started. I took this image on my birthday which was August 5th. As I left the wilderness the next day, I distinctly remember thinking, 4 days in this wilderness wasn’t long enough, but I’ll be back soon. Less than a week later, the Cameron Peak Fire started in a place I could have seen from where I took this image. (Not all of the Rawah burned. The beginning of the trail to get to this place burned but I don’t believe the spot where this photo was taken did. This tree may still be standing and since it is probably many hundreds of years old, I hope it is. One day when it is safe, I will go and check.)

The magic of colored yarn

The magic of colored yarn

I love yarn in a fairly fierce way. I think some of that attraction to this material has to do with the deep nature of color expressed in yarn. Wool yarn especially takes dye in a beautiful, rich way. Wool being the primary material in my tapestries means that I get to use this gratifying material in all my work.

The second season of the Design Solutions course launched this month* and the first module has information on using warm and cool contrast in design. I had a lot of fun playing with these concepts as I put the course together and one of the last things I did for the first module was weave two tiny Fringeless tapestries. One was in warm colors, one in cool colors. I just wanted to see what the same sort of design looked like when woven in warm and cool colors.

Season 2 of Design Solutions for the Artist/Weaver

Season 2 of Design Solutions for the Artist/Weaver

Last year I started an online course about designing for tapestry weaving. This is a subject that I find students frequently struggle with and there are many things about design that are particular to tapestry weaving’s techniques, tools, and materials.

We had a great deal of fun last year in Season 1. Season 2 of the course is about to start. The class is now open for registration with more information on my website here: https://rebeccamezoff.com/design-solutions-season-2

The course content opens on Monday, January 11th and you’ll want to register soon to maximize your time with Module 1’s material before registration closes the end of the month.

The video below is a short look at what you’ll see in the course.

What do you need to get started with tapestry weaving?

What do you need to get started with tapestry weaving?

Tapestry weaving can seem like a pursuit that requires A LOT. A lot of equipment, materials, and knowledge.

It doesn’t have to be that way. Weaving tapestry can be quite simple and your materials and equipment do not have to be complicated. If you want to learn tapestry weaving, below are some suggestions for how to get started. There are also many resources for people already deep into the tapestry experience, but this post is for people who are pretty new to tapestry weaving.

At the end of the post is an actual list you might use to shop with.

Making hue and value decisions as I weave

Making hue and value decisions as I weave

Those of you who have been following me on Change the Shed on YouTube since March have seen first hand how I make decisions as I’m weaving. For me, many of my tapestry design decisions are made before I start the weaving. But often color choices aren’t really clear until the tapestry is underway. In a small piece I am unlikely to weave a sample, so I am experimenting while working on the actual tapestry.

In the December 9th episode of Change the Shed I was struggling with a value choice that I didn’t trial before I turned the camera on that morning. After briefly considering (silently) how embarrassed I was going to be when I made live “errors” to a fairly wide audience, I decided that letting it play out on camera was just fine with me.

Keep up the wonder

Keep up the wonder

Curiosity.

Is it the key? To everything?

As an annoyingly persistent optimist, I am feeling a little blue of late. It isn’t new, it comes and goes, and I blame it on 2020 entirely. It is hard to watch this pandemic flatten my country when we could have managed it so much better. It is hard to see people dying when they didn’t have to. And there is a lot of fear in the unknown future. I do feel a measure of hope (that is the persistent part of the optimist in me), but some days I need a little reminder.