tapestryweaving

Cameron Peak Fire revisited

Cameron Peak Fire revisited

The Cameron Peak Fire burned 326 square miles near my home in 2020.* It started August 13th and was finally declared controlled in January of 2021. All four of the trails I backpacked prior to August 13th in 2020 burned in the fire as did every other trail near home on my hiking bucket list. The forest is closed in most of the burn area and likely will remain so for a very long time as the dangers to people, the land, and the watershed are many. Regeneration will happen but the fire burned very hot in places and the soil was destroyed. That means things won’t grow back there any time soon and that soil will erode and negatively impact our water supply and the habitat of everything that lives near this zone.

If you followed me during the worst months of the fire, you know how much grief the loss of these places in the form I knew them brought up for me. I wove four small tapestries about the fire and will probably weave more in the series. These are small 3 x 3 inch tapestry diary pieces. All four are woven as if I’m standing in the same place looking at the same mountain in the Rawah Wilderness. But they could represent any of the hundreds of miles of trail that existed in the burn area.

The first two I wove on the same warp. The initial weaving was from an image I took on a hike just north of where the fire started. I took this image on my birthday which was August 5th. As I left the wilderness the next day, I distinctly remember thinking, 4 days in this wilderness wasn’t long enough, but I’ll be back soon. Less than a week later, the Cameron Peak Fire started in a place I could have seen from where I took this image. (Not all of the Rawah burned. The beginning of the trail to get to this place burned but I don’t believe the spot where this photo was taken did. This tree may still be standing and since it is probably many hundreds of years old, I hope it is. One day when it is safe, I will go and check.)

Season 2 of Design Solutions for the Artist/Weaver

Season 2 of Design Solutions for the Artist/Weaver

Last year I started an online course about designing for tapestry weaving. This is a subject that I find students frequently struggle with and there are many things about design that are particular to tapestry weaving’s techniques, tools, and materials.

We had a great deal of fun last year in Season 1. Season 2 of the course is about to start. The class is now open for registration with more information on my website here: https://rebeccamezoff.com/design-solutions-season-2

The course content opens on Monday, January 11th and you’ll want to register soon to maximize your time with Module 1’s material before registration closes the end of the month.

The video below is a short look at what you’ll see in the course.

Sett: Looms and tools

Sett: Looms and tools

How does sett happen on various looms and what does this have to do with the equipment I choose? This post continues a series of articles about sett and tapestry weaving. The complete list is at the bottom of this post.

Low-warp floor looms and sett

I don't talk about weaving tapestry on floor looms nearly enough. When you're just starting out, finding space for a large loom may not be in the cards. But once you've decided this thing is for you, a floor loom can be a fantastic friend for your work.

Sett: How does sett affect image?

Sett: How does sett affect image?

How does sett affect image?

When someone says they’re weaving at 8 epi, that is the sett. That means they have 8 warp strands in one inch. I define sett a bit more in my last blog post on this topic

Weaving is a gridded structure. The images we make have to fit onto the grid formed by the warp and weft.

Because the structure so easily forms squares, making other shapes is more challenging in tapestry weaving. But of course we do want to weave something besides squares!

Yesterday's Red

Yesterday's Red

Occasionally pieces I wove a long time ago pop up.

Before I became James Koehler's apprentice. Before I really knew all that much about weaving tapestry. Before I was an ATA member and read about tapestry and went to lots of shows and learned everything I could... back at the beginning, I wove some very simple things.

It turns out this one at least, is lovely.

Suitcase of yarn

Suitcase of yarn

Any time your packing list contains the words, Suitcase of Yarn, you know you're going somewhere fun. This is not a teaching trip though. I'm headed to Arizona to be the artist-in-residence at Petrified Forest National Park for the month of November. I'm going to the desert to do some tapestry designing. I am so excited about this, I gasp a little when I think about it.

How often do most of us get the opportunity to step away from the business of art and actually focus on making it? As a tapestry weaver, I can only bring small looms with me. Even so, my plans include at least three portable looms in addition to the bag full of Hokett looms I will undoubtedly have. I have a project in mind for those little looms.

All the little weavings...

All the little weavings...

The small format samples and pieces sure pile up faster than my big pieces. I'm lucky if I get one very large piece done a year. But these little guys just multiply like rabbits. There seem to be stacks and stacks of them now. 

Last week I did this sample for the Weaving Tapestry on Little Looms online class. It was a test run for the new pipe loom as well as a demo for the new class. It is about three inches square at 8 epi.